著者
八幡 茉莉子 渡辺 明日香 Mariko Yahata Asuka Watanabe
雑誌
共立女子短期大学生活科学科紀要 = Annual bulletin department of the science of living
巻号頁・発行日
vol.56, pp.11-31, 2013-02

This work bases on the assertion that the roots of Lolita fashion lay in the 1980s and explores how Lolita fashion came onto the scene as well as what sorts of changes it has undergone up until the present day. Analysis began with a visual survey using photographs of street fashion and fashion magazines such as "Olive." This work divides Lolita fashion into stages taking the early 1980s as "Lolita's FirstEra," the golden age of Lolita in the 1990s as "Lolita's Second Era," and the diversification of Lolita in the 2000s as" Lolita's Third Era," As a result, it was concluded that Romantic fashion and Lolita fashion have many traits in common and that Lolita fashion said to have sprouted in the 1980s sprang from Romantic fashion The work also concludes that the Lolita fashion of today owes its existence to the flourishing of 1990s street fashion and can be taken as a signal of the intensification of its popularity cycle after the 2000s.
著者
八幡 茉莉子 渡辺 明日香 Mariko Yahata Asuka Watanabe
出版者
共立女子短期大学生活科学科
雑誌
共立女子短期大学生活科学科紀要 (ISSN:09172300)
巻号頁・発行日
no.56, pp.11-31, 2013-02

This work bases on the assertion that the roots of Lolita fashion lay in the 1980s and explores how Lolita fashion came onto the scene as well as what sorts of changes it has undergone up until the present day. Analysis began with a visual survey using photographs of street fashion and fashion magazines such as "Olive." This work divides Lolita fashion into stages taking the early 1980s as "Lolita's FirstEra," the golden age of Lolita in the 1990s as "Lolita's Second Era," and the diversification of Lolita in the 2000s as" Lolita's Third Era," As a result, it was concluded that Romantic fashion and Lolita fashion have many traits in common and that Lolita fashion said to have sprouted in the 1980s sprang from Romantic fashion The work also concludes that the Lolita fashion of today owes its existence to the flourishing of 1990s street fashion and can be taken as a signal of the intensification of its popularity cycle after the 2000s.
著者
渡辺 明日香 Asuka Watanabe
雑誌
共立女子短期大学生活科学科紀要 = Annual bulletin department of the science of living
巻号頁・発行日
vol.58, pp.29-55, 2015-02

This paper presents the ethnography methodologies that situate collections of fashion photographs as their subject. In particular, the focus herein is on concrete examples of fashion photography collections that have, in recent years, gained new meaning as ethnographic case studies in the realm of fashion. We explored the various research methodologies that are used on these subjects. If we consider that ethnography developed as a means of understanding the worldview of other cultures and peoples, exploring said issues via the lens of fashion is a valid ethnographic technique; we also established that said technique is a fruitful ethnographic tool not only when used towards other cultures, but within one's own cultural sphere as a means of considering both the rationale for the wearing of different attire and the changes seen in one's own fashion, as well as the circumstances contributing to those changes. In addition, rather than emphasize the diversity of ethnographic methodologies, namely, the researchers' perspective, we emphasized the importance of exploring the plurality of viewpoints that the readers themselves can have. Japanese street fashion's drawing attention overseas originates from the fashion blogs and photograph collections that long captured interest abroad before the fashions themselves reached those shores. This “proto-ethnographic” media has had a much larger impact than academic research paper, and we emphasize that it is, to some extent, a contemporary form of “visual ethnography,” whereby the reader/viewer can freely interact with and interpret such media. For this reason, as a newly emergent domain, it should increasingly be made the subject of future research.
著者
渡辺 明日香 城 一夫 児玉 好信
出版者
一般社団法人日本色彩学会
雑誌
日本色彩学会誌 (ISSN:03899357)
巻号頁・発行日
vol.31, no.2, pp.74-84, 2007-06-01
参考文献数
6

前報では、女性服装色における周期性、同調色・相反色の存在について明らかにすることができた。そこで、本報では原宿・渋谷・銀座の3地域の出現色の差異に着目しさらなる考察を試みたところ、以下のことが分かった。第一に、服装色の出現頻度は地域によって異なる。原宿ではブラック、ブルー、レッドの嗜好が高く、渋谷ではブラック、ホワイト、ブルー、ピンク、レッドの割合が高い。銀座はブラック、ホワイト、グレイ、ブラウン、カラードグレイ(アイボリー)が高く、無彩色の割合が服装色の50%以上を占めていることが特徴である。第二に、地域間の相関係数を求めた結果、原宿・渋谷は相関のある色が多く類似の傾向を示したが、銀座は相関のないものが多い。第三に、経年推移によって、類似する地域は変化することが分かった。1994年〜1998年では原宿・渋谷が類似の傾向を示すものが多く、銀座は独自な出現傾向であった。しかし1 999年以後、渋谷・銀座が類似の推移を示すものがみられ、さらに2002年以降は各地域の服装色に独立した傾向が生じている。
著者
小西 克巳 遠山 敏章 渡辺 明日香
出版者
一般社団法人 人工知能学会
雑誌
人工知能学会論文誌 (ISSN:13460714)
巻号頁・発行日
vol.25, no.1, pp.25-36, 2010 (Released:2010-01-06)
参考文献数
20

This paper proposes a fashion-related image gathering algorithm and a retrieval system. Since it is difficult to define the fashion-related image exactly in mathematical sense, computers can not recognize whether given images are fashion-related even if they use computer vision techniques. It is also difficult to gather and search only fashion-related images on the Internet automatically for the same reason. In order to overcome these difficulties, we focus on human computing power, which helps computers to find fashion-related images from tons of images on the Internet. This paper provides an algorithm to gather high quality fashion-related images and propses a fashion-related image retrieval system, both of which utilize the information and meta data obtained in a fashion-related image sharing site. Evaluation experiments show that the proposed algorithm can gather fashion-related images efficiently and that the proposed retrival system can find desired images more effectively than Google Image Search.
著者
渡辺 明日香
出版者
共立女子短期大学
雑誌
若手研究(B)
巻号頁・発行日
2011-04-28

ストリートファッションの調査・分析を基軸とし、日本のファッションの特異性と海外発信性について検証を行った。定点観測の写真資料の集積、写真の整理およびデジタルデータ化、日本の第二次大戦後から現在に至るストリートファッションの史的研究を遂行することで、ファッションの概念変化とメカニズムの変容を究明した。これらの結果、ストリートファッションがクールジャパンの対象となった理由は、従来のファッション変容に関わる文脈やファッション・システムとの無関連性にあることが明らかとなった。