著者
西田 紘子
出版者
美学会
雑誌
美学 (ISSN:05200962)
巻号頁・発行日
vol.68, no.1, pp.121-132, 2017 (Released:2018-07-01)

This paper selects Neo-Riemannian theory and aims to contextualize and characterize the developmental process of the relevant academic discipline by tracing the complementary and competitive relationship of Neo-Riemannian theory with the existing Schenkerian theory. Neo-Riemannian and Schenkerian theories cannot be compared even by analytical objects. However, as observed by Julian Hook (2007, 168) who considers it a “mistake” if one regards “transformation” and “prolongation” as antithetical conceptions, even though there is a fundamental difference between the theories, the integration or differentiation of both theories has been suggested in several studies (Cohn 1999, Samarotto 2003, Hook 2007, Goldenberg 2007, Rings 2007, Baker 2008). This case study examines the effects of the methodological arguments that advocate a new theory over an existing one. The effects are divided into two categories: first, enabling heuristic interpretations through a hybrid theoretical framework by quasi-integration and, second, showing the capacity of one theory by explaining what the other theory reveals. In other words, a series of arguments arise from the methodological difference related to the priority of “interpretation” or “method,” that is, the theory that sets as an end objective renewing the interpretation of musical pieces, holding the incompatibility of methods, or evoking a new theoretical model.

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超絶面白かった。音楽の理論の話。 ネオ・リーマン理論とシェンカー理論 - 西田紘子(2017年) https://t.co/TYVoFJ7aVP
先日お話してきたのはこれ系の分析理論。https://t.co/29K61MvvSK
__φ( ╹ω╹ ) 。oO(ネオ・リーマン理論とシェンカー理論の違い 論者達の論点 ・理論の性質の違い ・分析対象の違い ・階層的一貫性(=文脈性)を前提にするか否か ・全音階的枠組みに収まるか否か ・統一性を前提にするか否か https://t.co/TYVoFJ7aVP

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