著者
谷口 文和
出版者
The Japanese Association for the Study of Popular Music
雑誌
ポピュラー音楽研究 (ISSN:13439251)
巻号頁・発行日
vol.7, pp.15-34, 2003 (Released:2009-10-29)
参考文献数
21

“Turntablism” could be defined as a musical genre in which DJs claim that the turntables they operate are “musical instruments”. In this paper I discuss the concept of “turntables as musical instruments” through the analysis of DJ performances. For this purpose I devised my original notational system which facilitates transcription of the DJ's body movements along with the musical sounds.The analysis of the performances using techniques such as “scratch” and “beat juggling” shows that the sound patterns reflect the DJ's motor patterns. An understanding of this relationship, gained through watching or practice, as opposed to just listening, gives deeper insight into its musical construction. In this sense, the musical style of turntablism is not simply that of sound itself, but also that of related musical experiences, including performing and listening. In conclusion, this insight makes it natural for those who enjoy turntablist performances, both DJs and listeners, to consider the turntables as “musical instruments”.

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「DJターシ」とか「DJタカダ」とか書いてある論文初めて読みました。スクラッチやジャグリングが採譜してあっておもしろい! J-STAGE Articles - ターンテーブリズムにおけるDJパフォーマンスの音楽的分析 https://t.co/1WM39wWq9G
「ターンテーブリズムにおけるDJパフォーマンスの音楽的分析」と同じ雑誌です。pdfダウンロードできるようにして下さっているの有難い https://t.co/K8CKjvioJM
#メモ 谷口文和 - ターンテーブリズムにおけるDJパフォーマンスの音楽的分析 https://t.co/PopsIIcJai

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