著者
森田 登代子
出版者
一般社団法人 日本家政学会
雑誌
日本家政学会誌 (ISSN:09135227)
巻号頁・発行日
vol.66, no.7, pp.317-328, 2015 (Released:2015-07-16)
参考文献数
37

This report describes how Emperor Meiji's costume changed from the end of the Edo Period to the beginning of the Meiji Era. When he lived in Kyoto, he wore a traditional costume called a Kugeshouzoku (nobility dress). However, after he moved to Tokyo, his costume changed drastically, because he was forced to westernize his way of life in all respects. In Kyoto, he showed his authority as Mikado with Three Sacred Treasures beside him. In Tokyo, everything was different. He had to represent his authority, not by those symbols but through his new dress: he had to give dignity and nobility to his military uniforms. Emperor Meiji's uniforms were henceforth decorated with epaulets, gold strings, and gorgeous chrysanthemum-pattern embroidery. This is clearly evident in the “Goyoudoroku” receipt lists of purchases by the Imperial Family owned by the Imperial Household Agency.

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https://t.co/A7TvblWyZR 明治天皇の洋装化
森田登代子『明治天皇の洋装化』 https://t.co/Jg9O4NOI62 明治4年〜 尋いで九月四日又同勅諭を近臣に賜ふ,又是の日,御服制定のため,兵部省をして締盟國帝王の軍服等の制を調査せしめらる,蓋し本邦固有の風姿に則り,泰西諸邦の式を用ゐたまはんの叡慮に外ならず。
「明治天皇の洋装化」についての別の論文も。https://t.co/A3kk3RDaEu
@moka_DB 明治天皇の御代に、徐々に。 https://t.co/SXYgELeZ9K

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