著者
井芹 真紀子 イセリ マキコ Makiko Iseri
雑誌
Gender and Sexuality : Journal of the Center for Gender Studies, ICU
巻号頁・発行日
no.5, pp.23-43, 2010-03-31

This paper explores the potential of female female impersonation by examiningthe nature of gender performativity as not necessarily being interlocked with gendercrossing. This issue is studied in light of the desire for gender identification by femme lesbians, particularly high femmes.Since the 1990s, there has been increasing attention on the subversive potential ofgender crossing subject in both queer theory and post-structuralist feminist theory. However, femme lesbians have not only tended to be overlooked in this regard, but rendered "invisible" due to the fact that they "look straight."This paper examines how high femmes do not try to resolve this conflict but in factmaintain it, while still holding onto their "fem(me)ininity" in their strong desire for gender identification. The issue is explored through a study of high femme narratives and considered in light of Kaja Silverman's concept of "identity-at-a-distance."
著者
井芹 真紀子 イセリ マキコ Makiko Iseri
雑誌
Gender and Sexuality : Journal of the Center for Gender Studies, ICU
巻号頁・発行日
no.5, pp.23-43, 2010-03-31

This paper explores the potential of female female impersonation by examiningthe nature of gender performativity as not necessarily being interlocked with gendercrossing. This issue is studied in light of the desire for gender identification by femme lesbians, particularly high femmes.Since the 1990s, there has been increasing attention on the subversive potential ofgender crossing subject in both queer theory and post-structuralist feminist theory. However, femme lesbians have not only tended to be overlooked in this regard, but rendered "invisible" due to the fact that they "look straight."This paper examines how high femmes do not try to resolve this conflict but in factmaintain it, while still holding onto their "fem(me)ininity" in their strong desire for gender identification. The issue is explored through a study of high femme narratives and considered in light of Kaja Silverman's concept of "identity-at-a-distance."