1 0 0 0 ギャスケルの「乳母物語」における幻想
- 著者
- 金丸 千雪
- 出版者
- サイコアナリティカル英文学会
- 雑誌
- サイコアナリティカル英文学論叢 (ISSN:03866009)
- 巻号頁・発行日
- vol.2001, no.22, pp.1-18,102, 2001
Gaskell's ‘The Old Nurse's Story’ appeared in the Christmas issue <I>Household Words</I>, which was edited by Charles Dickens. The end of this ghost story was criticized by Dickens. But despite his suggestions, Gaskell refused to rewrite it. No satisfactory explanation is given in two novelists' points of view. Perhaps, however, Gaskell is more concerned with a pressure placed upon women's sexuality, whileDickens pays more attention to the readers' reaction.<BR>It is out of jealousy that Grace Furnivall reveals to her father the secret of her sister Maude's marriage to a foreign musician, and the existence of their daughter. Consequently, her father drives Maude and her baby on a snowy winter night. After their death, a ghost child tries to attract Rosamond, the descendant of the Furnivalls. Rosamond is saved by the strength of the nurse's love. At the climax, the ghosts of thechild, Maude and Lord Furnivall appear. Butold Gracedies paralyzed as the result of being obliged to watch the phantom in the terrible scene. It is in this scene hat Gaskell employs the term “phantom” instead of “ghost”.<BR>Through the duality of the text which is organized around two oppositions, the real and the phantom, this novel involves a conflict between awoman's own impulses and male demands. Female characters are not regarded as passive objects of romantic ove.<BR>The purpose of this paper is to reconsider The Old Nurse's Story in relation to Freudian psychoanalysis concept of libido. This reading leads us to find that Gaskell aises broader questions concerning the sexual rights of women.
1 0 0 0 OA 樋口一葉の『十三夜』におけるセンチメンタリズム
- 著者
- 金丸 千雪
- 出版者
- 九州女子大学・九州女子短期大学
- 雑誌
- 九州女子大学紀要. 人文・社会科学編 (ISSN:09162151)
- 巻号頁・発行日
- vol.35, no.3, pp.95-105, 1999-02
フェミニズムの主張を、文学の審美性を損なわずに表現するのは、ある意味で困難である。例えば、樋口一葉の『十三夜』は文学的には勝れているが、作品全体を支配するセンチメンタリズムは、女性に対する抑圧の言説を壊し変革する役割を果たさない。悲劇のヒロインの「涙」は家父長制社会において、究極的に女性が服従を受容するように促す性格や行動のイメージを強化する。しかし、一葉は、男性中心の知的伝統の文化が受け入れを許しもしない経験と感情を伝えるために、感傷の力を利用している。本稿は、小説におけるセンチメンタリズムがどのような力を発揮しているかを検討し、その意義を積極的に評価する一つの試みである。