This essey briefly examines three stories by Edogawa Rampo that treat the theme of "doll-love". Hitodenashi no koi, Osie to tabi suru otoko, and Mushi. The relationshio between doll-love and the desire for self-metamorphosis that prevades Ranpo's literature is considerd. The essey suggests that the doll functions as a fetish to both reveal and disguise a male characte's perverse desires, by elevating them to a quasi-religious form of love.