- 著者
-
So Yamane
- 出版者
- The Japanese Association for South Asian Studies
- 雑誌
- インターナショナル・ジャーナル・オブ・サウス・アジアン・スタディーズ (ISSN:24343005)
- 巻号頁・発行日
- vol.11, pp.18-32, 2021 (Released:2021-11-29)
- 参考文献数
- 38
This paper focuses primarily on food imagery in nineteenth century printed Urdu literary works, and how it shows the uneasiness towards or accommodation of modern culture. A diverse selection of sources is examined, including memoirs of the Persianate Mughal Court and durbar in Lucknow, letters by Urdu poet Ghālib (1797-1869), religious opinions issued by the Deobandi school, and a novel by Nadhīr Aḥmad (1836-1912). These writings concerning courtly food culture give the impression of a strong nostalgia for a refined past and discomfiture regarding modernization. Although the sophisticated food culture described was only for nobles, it serves as a symbol of Indo-Muslim culture, allowing readers of the memoirs to share in the nostalgia. However, the literature also reveals a friction between the ‘traditional’ Muslim society and the new society brought by the British, as portrayed by the protagonist in Aḥmad’s novel. Crucially, matters of faith are shown as a source of uneasiness in these food writings, leading us to connect such checkered feelings with the development of religious consciousness among Indo-Muslims.