著者
長谷川 滋成
出版者
中国中世文学会
雑誌
中国中世文学研究 (ISSN:05780942)
巻号頁・発行日
no.13, pp.35-72, 1978-09-10
著者
佐藤 利行
出版者
中国中世文学会
雑誌
中国中世文学研究 (ISSN:05780942)
巻号頁・発行日
no.40, pp.1-10, 2001-11-16
著者
岡村 繁
出版者
中国中世文学会
雑誌
中国中世文学研究 (ISSN:05780942)
巻号頁・発行日
no.5, pp.1-16, 1966-06-30

The age of Jien-An (196-219A.D.) was, both militarily and politically, a very busy period for the Wei (魏) government. How was it possible, then, that a literary circle of unprecedented quality was established around the two princes of the Wei court? In this paper this apparently contradictory looking phenomenon was proved to be no contradiction at all, but a natural consequence of the realistic, practical and political intent of cao cao (曹操).
著者
三多田 文恵
出版者
中国中世文学会
雑誌
中國中世文學研究 (ISSN:05780942)
巻号頁・発行日
no.47, pp.72-96, 2005-03
著者
道家 春代
出版者
中国中世文学会
雑誌
中国中世文学研究 (ISSN:05780942)
巻号頁・発行日
no.24, pp.1-13, 1993-05-29
著者
鈴木 修次
出版者
中国中世文学会
雑誌
中国中世文学研究 (ISSN:05780942)
巻号頁・発行日
no.3, pp.8-21, 1963-03-31

It is rather surprising that we often come across immoral literary taste in the poetry, chiefly anonymous, of the Han Wei period. It shows itself in calumnies against the effort that everybody should make or against moral feelings, in a comparative description between one's former and present wives, in unsympathetic words on the death of one's friend, and in many other instances of a similar vein. Such immoral literary taste, unknown in Shih Ching (詩経) , is traced back in poetry to early songs and poems.
著者
先坊 幸子
出版者
中国中世文学会
雑誌
中国中世文学研究 (ISSN:05780942)
巻号頁・発行日
no.40, pp.11-22, 24-56, 2001-11-16
著者
安東 諒
出版者
中国中世文学会
雑誌
中国中世文学研究 (ISSN:05780942)
巻号頁・発行日
no.7, pp.26-36, 1968-08-30

The purpose of this thesis is to try to prove how the old songs or poems in the end of the Han Dynasty (漢代) transformed themselves into Ch'i-Ai-Shih by Wang-Ts'an (王粲). In other words it is my purpose to show in which position of Chinese Literature this Ch'i-Ai-Shih ranks. There are not a few old songs or poems the materials of which are common to Ch'i-Ai-Shih. In those songs or poems is written how the people in the end of the Han Dynasty were wandering alone in a strange country and leading miserable lives. The representatives of them are Ku-Erh-Hsing (孤児行) and Fu-Ping-Hsing (婦病行). Considering how these two poems are followed by Chia-Ch'u-Pei-Kuo-Men-Hsing (駕出北郭門行) by Juan-Yu (阮〓) or the works of Ts'ao-Ts'ao (曹操) or Wang-Ts'an, I have shown that Ch'i-Ai-Shih ranks in a high position of poetry. I also have awkwardly referred to the essential problems in what part of the process of this transition hard work is required for the completion or unification of these poems.
著者
小松 英生
出版者
中国中世文学会
雑誌
中国中世文学研究 (ISSN:05780942)
巻号頁・発行日
no.20, pp.26-51, 1991-02-02
著者
船津 富彦
出版者
中国中世文学会
雑誌
中国中世文学研究 (ISSN:05780942)
巻号頁・発行日
no.5, pp.28-46, 1966-06-30

It is next to impossible at this distance to fix the date of the compilation of the Prefaces to Tao-Yuan-Ming-Ji (陶淵明集) and Wen-Xuau (文選). It seems highly probable, however, that the Prince wrote them sometime in his twenties. They werc all written by himself and his courtiers had nothing to do with them. It is reasoably assumed that his gentle character, his love of nature and his intimate acquaintance with Confucianism are well reflected in Wen-xuan. All well-known poems in Shi-Pin (詩品) are represented there, but it is not influenced by Wen-xin-Diao-Long (文心彫龍). It contains some of those interary criticisms which teh prince was reading then, and he seems to have been under the influence of Yi-Jing (易経), the preface to Shi-jing (詩経) and Lun-Yu (論語). The prince set a particular value on a writer's humanity, as is the case of Tao-Yuan-Ming. He is rather conservative in his literary theory, while at the same time he does produce a number of new ideas. The prince is simply silent on the Buddhistic aspect and musical quality of literature then much in vogue.
著者
森野 繁夫
出版者
中国中世文学会
雑誌
中国中世文学研究 (ISSN:05780942)
巻号頁・発行日
no.55, pp.1-17, 2009-03-27