著者

金田 千秋

出版者

美学会

雑誌

美學 (ISSN:05200962)

巻号頁・発行日

vol.42, no.1, pp.24-35, 1991-06-30

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The whole, not the part, of Kant's "Analytic of the aesthetical judgement" in his "Critique of Judgement" (1790) is, except the theory of the sublime, the subsumption-theory of the beautiful. It is not theoretically correct that after discussing from the beginning to the 40th paragraph of this Analytic the judgement of taste, Kant switches to another subject, that is, to the theory of art or genius. The subject from the 41st paragraph to the end of the Analytic is also the subsumption-structure of the judgement on art, whose predicate is composed of the two predication-elements, "the genius" and "the taste". Kant tries to achieve the exposition and the deduction of this dual predicate and the main purpose of my paper is to elucidate the way in which these two "predicates", especially "the genius", are exposed and deduced in the manner of the Kantian Transcedental Philosophy.