著者

岩本 憲児

出版者

日本映像学会

雑誌

季刊映像 (ISSN:03898253)

巻号頁・発行日

vol.12, pp.2-9,63, 1979

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<p>  J. Dudley Andrew, in his THE MAJOR FILM THEORIES (1976), discusses a certain relationship between Eisenstein and psychology, such as associationism, Titchener's structural psychology, Pavlov's conditionned reflex, Piaget, and Vygotsky. One can add to this list a name of Freud, as Marie Seton or Peter Wollen regards him profoundly influential upon Eisenstein. Andrew, above all, put a great emphasis on a similarity of Eisenstein's concept of <i>montage</i> to Piaget's genetic psychology.</p><p>  But, throwing light on Vygotsky's inner speech, we can try to connect him with Eisenstein. According to Vygotsky, inner speech is not in the preceding stage of logical, uttered language, but has a genetically different origin from it. Therefore, the inner speech is the ultimate stage in its own right, and <i>montage</i> can be thought as an energizing catalyst upon the inner speech of the spectator.</p>