著者
有田 亘
出版者
大阪国際大学
雑誌
国際研究論叢 : 大阪国際大学紀要 (ISSN:09153586)
巻号頁・発行日
vol.26, no.3, pp.1-20, 2013-03

Many clothing styles of young Japanese women are driven by a desire to make themselves "look cute". However, girls dressed in the Lolita fashion, which is characterized by feverishly pursuing dollish or princess-like girly "cuteness" (kawaii), seldom show any interest in being looked at as "me in a cute dress." These are gestures to block other people's eyes. And at the same time, they do not hide their great pleasure in seeing "lovely dressed girls" rather than being seen as lovely girls. For them, wearing Lolita fashion seems to have become a means not to "see" lovely things, but to "be seen as lovely". Japanese culture is often classified as a "shame culture," in which an aspect of "see or to be seen as" something is accompanied by cultural and political asymmetry between men and women or an aspect of being too much concerned about people's eyes, as if suffering from scoptophobia. In these girls' unique fashion, we might be able to find a possibility of transformational subversion against such conservative attitudes. Using interviews, we would like to examine this phenomenon from the viewpoint of media theory.

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https://t.co/BKCcANLPwc 有田亘(2013) “ファッショナブルな女性の身体というイメージをめぐっては、支配的な文化が「男性の視線と欲望の対象」として割り当てた抑圧的な記号と、そこから女性を解放する「自己表現手段」としての記号とが分かちがたく絡み合っており、

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