著者

佐藤 真知子

出版者

舞踊学会

雑誌

舞踊學 (ISSN:09114017)

巻号頁・発行日

vol.2018, no.41, pp.1-11, 2018 (Released:2020-07-14)

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The aim of this study is to clarify what was Vaslav Nijinsky's intentions for his first choreographic work, L'Après-midi d'un Faune, through the analysis of his words on the work. Vaslav Nijinsky [1889? - 1950] is a Russian dancer and choreographer in the early 20th century, and he was a member of Sergei Diaghilev’s Ballets Russes. His Faune has some strong characteristics: two-dimensional symbolization, sexual representation, and angular forms and gestures. However, his choreographic intentions of the work has not been thoroughly researched. By further analyzing his words, it became clear that Nijinsky tried to harmonize the classical attitudes of the ancient bas-reliefs and the aesthetical movements of the Greek-Roman mythological characters in the Faune. Also, he was very interested in pure forms and gestures of ancient Greek sculptures, and he tried to incorporate them into his work. Considering his aesthetic interests and the contemporary art movements, it is concluded that he attempted to demonstrate purely plastic dancing body in the Faune by adopting angular forms and two-dimensional symbolization from the theory of the art of Cubism.

著者

菊地 敬夫 犬井 正男 佐藤 真知子 吉村 作治 矢澤 健

出版者

東日本国際大学

雑誌

基盤研究(C)

巻号頁・発行日

2013-04-01

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本研究課題の対象となったアムドゥアト書は、エジプト・アラブ共和国、王家の谷にあるアメンヘテプ3世王墓の埋葬室の壁面を飾る葬祭文書である。このアムドゥアト書をありのままに示す高精細デジタル画像の作成のための研究を重ね、壁面ごとに高精細デジタル画像としてビューアで表示し、詳細な観察が可能となった。このような画像を利用して、アムドゥアト書の壁面への筆写の手順について解明した。さらに、アメンヘテプ3世王墓のアムドゥアト書の翻字と邦訳を、デジタル画像を参照しつつ、古代エジプト語の章句の構成ルールを踏まえておこなった。同王墓のアムドゥアト書を底本とする翻字と翻訳は、世界初となるものである。