著者

緒川 直人

雑誌

東洋大学社会学部紀要 = The Bulletin of Faculty of Sociology,Toyo University

巻号頁・発行日

vol.50, no.2, pp.37-56, 2013-03

著者

緒川 直人

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究 (ISSN:13411306)

巻号頁・発行日

vol.87, pp.37-57, 2015-07-31 (Released:2017-10-06)

参考文献数

56

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This paper focuses on the social meaning of old photos as physical objects from the perspective of the history of photos in material cultures and emphasizes the need to consider interactions between individuals or events and old photos as physical objects from a social historical perspective. The paper proposes to reconsider the conventional view in historical studies of photos as well as the possibility of expanding the range of historical descriptions. In this paper, the authors conduct a case study on Teijiro Ueda, a photo collector who lived in Osaka before World War II and contributed to archiving old photos as physical objects and to the social sharing of photos. Through this case study, the authors show how his collection of old photos was formed, along with the social role of his collection (known as the Ueda Collection) as a private archive of old photos. The aim of this study is to examine the significance of the private archiving space in Osaka during the pre-war period, which was formed as a result of the photo collection by Ueda and his management of the archive through collaboration with the scholars of Kyoto Imperial University. The Ueda Collection, which is an archive of old photos, and the activities of photo collectors around Ueda contributed to the formation of photo data based on object surveys, helped to create semi-public photo archives on the periphery of the academic world through collaboration with the Kyoto school of economic history, and also provided a basis for the development of new studies on the history of photos. In this respect, the activities of these photo collectors served as nodes in the archiving space that formed an academic community in the private sector during the pre-war period.

著者

緒川 直人

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究 (ISSN:13411306)

巻号頁・発行日

vol.82, pp.251-271, 2013-01-31 (Released:2017-10-06)

参考文献数

23

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This paper examines photo carte-shop customers' experience of buying photographs and the chain reaction mediated by such experience from the perspective of recipient analysis in the study of media history. The study's objective is to clarify the process through which photography became popular around the middle of the Meiji Era. An analysis of photo studio customer behavior was made through materials such as newspapers, diaries, photo albums and other resources. Photography was popularized by two phenomena. First was the communication enjoyed when seeing photographs displayed at photo carte-shops or seeing photographs at home, as well as the game of guessing who appeared in photographs. Second, there was the spread and chain behaviors of customer experience described in the photo collections and the writings on the history of photography by famous collector Gesshin Saito. His writing in Shashinkyo (History of Photo carte-shops) proposed a new historical perspective and method of the study of history of photographs in Japan.

著者

緒川 直人

出版者

日本マス・コミュニケーション学会

雑誌

マス・コミュニケーション研究 (ISSN:13411306)

巻号頁・発行日

no.82, pp.251-271, 2013-01-31

---

This paper examines photo carte-shop customers' experience of buying photographs and the chain reaction mediated by such experience from the perspective of recipient analysis in the study of media history. The study's objective is to clarify the process through which photography became popular around the middle of the Meiji Era. An analysis of photo studio customer behavior was made through materials such as newspapers, diaries, photo albums and other resources. Photography was popularized by two phenomena. First was the communication enjoyed when seeing photographs displayed at photo carte-shops or seeing photographs at home, as well as the game of guessing who appeared in photographs. Second, there was the spread and chain behaviors of customer experience described in the photo collections and the writings on the history of photography by famous collector Gesshin Saito. His writing in Shashinkyo (History of Photo carte-shops) proposed a new historical perspective and method of the study of history of photographs in Japan.

著者

緒川 直人

出版者

日本大学法学部新聞学研究所

雑誌

ジャーナリズム&メディア : 新聞学研究所紀要 (ISSN:18825516)

巻号頁・発行日

no.6, pp.45-62, 2013-03