著者
Masanori KOBAYASHI Chie TSUZUKI Marika KOBAYASHI Hinano TSUCHIYA Yume YAMASHITA Kanako UENO Moe ONOZAWA Masato KOBAYASHI Eiichi KAWAKAMI Tatsuya HORI
出版者
JAPANESE SOCIETY OF VETERINARY SCIENCE
雑誌
Journal of Veterinary Medical Science (ISSN:09167250)
巻号頁・発行日
pp.21-0174, (Released:2021-05-20)
被引用文献数
1

Oxidative stress owing to an imbalance between reactive oxygen species and antioxidants, such as coenzyme Q10 (CoQ10), is a major contributor to male infertility. We investigated the effects of the reduced form of CoQ10 (ubiquinol) supplementation on semen quality in dogs with poor semen quality. Three dogs received 100 mg of ubiquinol orally once daily for 12 weeks. Semen quality, serum testosterone, and seminal plasma superoxide dismutase (SOD) activity were examined at 2-week intervals from 2 weeks before ubiquinol supplementation to 4 weeks after the treatment. Ubiquinol improved sperm motility, reduced morphologically abnormal sperm, and increased seminal plasma SOD activity; however, it had no effect on testosterone level, semen volume, and sperm number. Ubiquinol supplementation could be used as a non-endocrine therapy for infertile dogs.
著者
Kanako Ueno Hideki Tachibana
出版者
一般社団法人 日本音響学会
雑誌
Acoustical Science and Technology (ISSN:13463969)
巻号頁・発行日
vol.26, no.2, pp.156-161, 2005 (Released:2005-03-01)
参考文献数
7
被引用文献数
3 5 18

In order to investigate the effect of a hall response on music players, we have made various experimental studies up to now. In order to develop this research, one of the most important subjects is to understand the musicians’ perception of the acoustic effects of halls. Musicians generally perceive the acoustic properties of a concert hall by keeping their performing action and by adjusting their playing technique subconsciously. This kind of interactive relationship between musicians and acoustic environment is really important when considering the acoustic values of concert halls for musicians. In this study, musicians’ awareness of concert halls was investigated through interview survey and the cognitive psychological phenomena of musicians were interpreted by applying the “tacit knowing” theory. Then the process to extract the musicians’ perception in experimental studies on concert hall acoustics is discussed.