著者

根本 千聡

出版者

法政大学国際日本学研究所

雑誌

国際日本学 = INTERNATIONAL JAPANESE STUDIES (ISSN:18838596)

巻号頁・発行日

vol.14, pp.340(71)-313(98), 2017-01-31

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This study has been undertaken with the aim of clarifying aspects of the music theory of tōgaku in the Heian and Kamakura periods (11th to 13th centuries). It surveys the use of the terms tada-byōshi and gaku-byōshi. The introduction explains background information and the significance of this study. The second section expresses my approach to this study. The third section surveys the historical sources for the description of the terms tada-byōshi and gaku-byōshi. Five music treatises are examined: Shin yakaku-shō, Zappi betsuroku, Zan’ya-shō (Fujiwara no Takamichi, 1220s'), Kaichiku-shō (Ōga-family music household, late Heian to Kamakura), Gakki (a part of Kasuga gakusho held by Kasuga Taisha shrine, early Kamakura). The fourth section reaches a conclusion, and suggests the possibility that the terms tada-byōshi and gaku-byōshi are related to the modern playing styles of tōgaku, namely kangen-buki and bugaku-buki.