著者
呉 恵京
出版者
法政大学国際日本学研究所
雑誌
国際日本学 = INTERNATIONAL JAPANESE STUDIES (ISSN:18838596)
巻号頁・発行日
vol.8, pp.305-330, 2010-08-10

Furthermore, it is also surprising that not much studying has been done on Seo Mitsuo either, who created about 25 pieces of work during the period of 1932 and 1949 through a method known as “Sell Animation.” The purpose of this study is to understand Kenjo Masaoka, a genius of Sell Animation, and analyze his works in order to identify the nature of those works.There are five main points in conclusion: first, of division of labor was developed more by use of a cell, and that a big hint was given to a division system of an after Japan animation co. The thing in which two could express a movement of the character which makes a story stand out freely using a cell. Such as applying to a movie cartoon three of taking a picture, various methods are tried, consequently, the thing which improved the quality of a movie cartoon. I kept studying four music methods, and that musical visualization was advanced. Five kept educating the posterity represented by Mitsuyo Seo and others, and that their ability was improved.

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瀬尾光世さんが戦後に作られた「王様のしっぽ」というアニメ映画は、プロキノ(プロレタリア映画同盟)時代に一緒に作ってたいわさきたろう(岩崎太郎)さんという方と再度組まれたものだったのかということを知った (「瀬尾光世の漫画映画における表現手法」より https://t.co/irXssaNnEt ) https://t.co/rImetEJWNa

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