著者
吉田 一生
出版者
国際基督教大学キリスト教と文化研究所
雑誌
人文科学研究(キリスト教と文化) = Humanities: Christianity and Culture (ISSN:00733938)
巻号頁・発行日
no.48, pp.225-243, 2016-12-15

On Religiousness of Modern Art This article discusses a religious aspect of art based on Schelling’s thesis that an art work is an unconscious identity of the ideal and the real, while critically considering the meaning of the recent artistic movement. The main character of modern art is relativity. Its supporters claim that everything could be an art work. However, from the philosophy of art perspective it must represent some idea, and romantic philosophers even sought the absolute meaning of art. For Schopenhauer, art was liberation from existence, and for Nietzsche reconciliation with it. Both recognize the essence of the world in art, which is not an individual fantasy but an ultimate reality. The following discussion regards the Apollonian art as reality of reason in relation to nature and the Dionysian art as that of god in relation to mythology. Thereby, Schelling’s philosophy of nature and that of mythology offer a deep insight into the identity of being and consciousness. It seems that modern art, whose tendency is thoroughly nihilistic, is far away from such an idea, but the article concludes that it has a strong possibility of the revelation.

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現代における芸術の宗教性について https://t.co/fsgpmWb9ht
朝仕事行く前に支度しながら聴いてるラジオで流れてるの、最近は賛美歌なんよな。テレマン晩年の声楽作品。古楽奥が深いねえ……思うのは、美術館行ってもそうだけど、宗教が芸術に与えた影響って凄いよねってことかな。面白そうな論文あったから置いとくね。 https://t.co/cPASzSljek

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