著者

好満 あき子 ヨシミツ アキコ

出版者

広島文化学園大学学芸学部

雑誌

広島文化学園大学学芸学部紀要 (ISSN:21858837)

巻号頁・発行日

no.2, pp.51-59, 2012-03

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The aim of this issue is to investigate the level of satisfaction to the contents of classic concertfrom audience's music experience at my invited piano concert place in Italy. Presently, a varietyof concert style is servicing for audience, such as classic concert with talking, with subtitle, orconcert of famous piece of music and those concerts open the road of the door into funny classicmusic. However, I think how these audiences feel to those streams. From the results of thisquestionnaire, those audiences do not expect the additional performance in order to improved theusual classic concert to make active live. Additionally, most important interest of contents forclassic concert is different among beginner, general people, and persons having deep linkage tomusic.As the results, classic music concert must be planned to be satisfied by audience having variousmusic experience, respectively.

著者

乗松 恵美

出版者

広島文化学園大学学芸学部

雑誌

広島文化学園大学学芸学部紀要 (ISSN:21858837)

巻号頁・発行日

no.1, pp.75-89, 2011-03

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"Dialogues des Carmelites" composed by Francis Poulenc, was based on actual historical events.This study focuses on the process from the drama to the libretto, study of the original drama, musicalanalysis, and the personalities of the characters in this opera. The focus of this study is to analyze thedifferences between the original drama composed by Georges Bernanos and the libretto by FrancisPoulenc.The composer's intentions expressed in the work are also discussed in this study, the composer'swork is analyzed and the process of preparing for the actual performance is detailed in this study.Theauther played the role of Mere Marie.

著者

二階堂 年惠 西本 聖史 田村 耕一 川上 秀和

出版者

広島文化学園大学学芸学部

雑誌

広島文化学園大学学芸学部紀要 (ISSN:21858837)

巻号頁・発行日

no.2, pp.17-28, 2012-03

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Recent years, our country asserted to understand the relationship of the well-balanced betweenindividual and collective and to bring up the children who can discuss.In this study, first, the meaning of individual freedom in the relationship between individual andcollective, the burden of the collective for protecting the individual, and in the collective it is betterto live together that should be able to be understood.Second, the necessary, appropriate and situation dependence judgment that in order to letchildren live together better, and the basic skills which as an means of living by a capable citizenshould be able to master.Third, developed course that an attitude of form a voluntarily better collective should be able tomaster.

著者

山下 敬子

出版者

広島文化学園大学学芸学部

雑誌

広島文化学園大学学芸学部紀要 (ISSN:21858837)

巻号頁・発行日

no.6, pp.29-38, 2016-03

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Various factors are seen in the expanse of creation and the performance of the current chorus musical work. It is holding of NHK and other various contests. Contest start original about 1960 had many short pieces such as foreign music, (Mozart, Schubert, Brahms), but when the 1970s begins, the situation changes completely and there are many works which a Japanese composed and comes to be sung. Particularly, Saburo Takada, Yoshinao Nakata, Akira Yuyama, the work of Akira Miyoshi and others were taken up willingly. In addition, a work of Teruaki Suzuki equal to the pupil of TokuhideNiimi, Makiko Kinoshita, Midori Takashima and Akira Miyoshi becomes the record-breaking boom afterwards when it is the 1980s. Unbroken descent from "chorus music" creation to continue without a break at the present is formed, and the genealogy of such a composer will bring about the work group which is still enjoyed singing today. Hideki Chihara, Ko Matsushita, Takatomi Nobunaga composers such as the Takashi Nobunaga wealth appear now. Since there is acceptance in the society including a work rooting in the climate again in the time, it will be that the work is born in various form in future. I have a big influence on development of the chorus music and consider a work of Akira Miyoshi who continued contributing through poetry.

著者

末永 雅子

出版者

広島文化学園大学学芸学部

雑誌

広島文化学園大学学芸学部紀要 (ISSN:21858837)

巻号頁・発行日

no.3, pp.9-17, 2013-03

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With the declining birth rate, parents are becoming increasingly interested in childhoodeducation. While the objective of cram schools and English lessons, which are targeted atadvancement to higher education, is enhancement of academic ability, the expected benefits oflessons in activities such as piano and sports are not the acquisition of special knowledge or skills,but rather the development of physical fitness, concentration, and other abilities that are usefulin daily life, as well as rich interpersonal relationships with instructors and friends. Learning thepiano in particular promotes mental toughness as it involves daily practice at home, and pianorecitals and competitions were thought to provide a sense of achievement. Learning the piano wasalso associated with strengthening of bonds with family members providing support. Few parentswished for their children to specialize in music and become a musician, and most parents wishedfor their children to continue playing the piano as a hobby. This may reflect the finding that thebenefits expected by parents in piano lessons are not the acquisition of skills and knowledge usefulfor their future paths, but enrichment of their lives.