著者

加藤 道夫

出版者

文化庁 国立近現代建築資料館

雑誌

国立近現代建築資料館紀要 (ISSN:24366765)

巻号頁・発行日

vol.2, pp.7-21, 2022-09-30 (Released:2022-12-14)

参考文献数

20

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The aim of this paper is to situate the rideau of “Pantheon” theater in Tokyu Cultural Center [Tokyu Bunka-Kaikan] in the career of Le Corbusier as an artist. The results are the followings. 1) The seeds of ‹taureau› covers all of his painting genres: still life (object types and objects with poetic reactions), figure (female), mythology and landscapes. 2) The rideau was related to his tapestries collaborated with Pierre Baudouin through dessins. 3) It realized the peak [floraison] of his ‹taureau› series as a rideau. 4) It composed of the «taureauX» and «taureauXI». 5) There exists another rideau project of for Sakakura, based on ‹I dreamed [je vais]› series, which has not been executed as a rideau. 6) It is located almost in the center of bull-related mythology: from the rape of Europa to Adriane. 7) He picturized his final message of «Between-two [Entre-deux]» in the rideau.