著者

沖野 成紀

出版者

東海大学

雑誌

東海大学紀要. 教養学部 (ISSN:03892018)

巻号頁・発行日

vol.37, pp.55-76, 2006

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From the standpoint of Jungian psychology, we have made a comparative study of Chat Botte between Perrault's original work and its animation by Toei Doga (1969), in whose production a now famous animation director, Hayao Miyazaki, participated as a young one of the making staff. The conclusion is that the significance of this animation is on the full and realistic realization of the factors latent in the original work : the trickstership of Chat Botte and the self-realization process of human characters, which are important concepts in Jung's analytical psychology. Especially, the process in this animation may be interpreted as that of one's autonomy and independence, his combination with a creative trickster, and his integration with his anima.