著者
伊藤 亜紗
出版者
美学会
雑誌
美學 (ISSN:05200962)
巻号頁・発行日
vol.62, no.1, pp.1-12, 2011-06-30

The aim of this paper is to investigate Paul Valery's criticism of description in literature and to clarify his ideal of poetry. Description is a technique to represent an object visually. Though an author chooses arbitrarily what he/she describes, he/she expects his/her reader to abstain the self and to obey him/her. Valery criticized this passiveness of reader and dominance of author. For Valery both reader and author have productive roles and they are completely separated two systems just like a producer and a consumer in a market economy. Through an act of reading, a reader finds abilities of his/her body which were unknown to himself/herself. This focusing on a reader's body is an ideal effect of poetry for Valery. While description involves a false reality, a pure poetry explores a reality of body. A work is not a messenger of feelings or thoughts of an author but a machine to make a reader's body act. A comparison with Breton's solution will make points of Valery's discussion more clear.

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これもあわせて読みたい | CiNii 論文 -  描写なき文学としての詩 : ヴァレリーにおける読者の身体の主題化(伊藤亜紗) https://t.co/ynLFrQsYY7
@tackerx とりあえず、これは読んでおいて、損はないはず。 CiNii 論文 -  描写なき文学としての詩 : ヴァレリーにおける読者の身体の主題化 https://t.co/7oHhsKcKXm
『ヴァレリーの芸術哲学、あるいは身体の解剖』の伊藤亜紗氏の論文。あとで読む。>CiNii 論文 -  描写なき文学としての詩 : ヴァレリーにおける読者の身体の主題化 http://t.co/8RfT2gbDSf #CiNii

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