著者

犬塚 潤一郎 イヌツカ ジュンイチロウ Jun-ichiro INUTSUKA

雑誌

実践女子大学生活科学部紀要

巻号頁・発行日

no.45, pp.21-39, 2008-04

---

How have we received "actual feeling" from the images which we see in our media-society? There is more what we see through media than that with which we actually meet. Media technology fills society with signs through reproducing a sign from a sign. For this mediological inquiry, I refer to Benjamin's "The Work of Art in the Age of Mechanical Reproduction", comparing to other essays on photography as Barthes' and Sontag's, with the conceptual framework from Augustin Berque's mesological approach, which distinguishes three levels for the world; the earth, biosphere, and a level of milieu, and Jakobson's linguistic model of the sifter.