著者
川崎 瑞穂
出版者
日本オーラル・ヒストリー学会
雑誌
日本オーラル・ヒストリー研究 (ISSN:18823033)
巻号頁・発行日
vol.10, pp.121-141, 2014-09-06 (Released:2018-12-10)

In the Arakawa-Shiroku area (located in the City of Chichibu, Saitama prefecture), there is an old kagura (local Shinto-based folk performing art), called "Shinmeisha-Kagura". Because of the lack of documentation, it is difficult to understand this kagura's history. "Sankanza", one of the Kagura repertoires, depicts a legend in which Jingiakogo conquered the ancient Korean peninsula (so-called "Sankan-seibatsu"). Interestingly, this musical program "Choren" includes a melody from the drum and fife corps from the late Edo period, for example, a melody in "Oranda-Gakutai" (from Chiba prefecture). In addition, under international influence after World War II, this program was reorganized by Hamanaka Yadenji, a mentor of the successors of this Kagura. In this paper, I would like to clarify the process of the development of Shinmeisha-Kagura in modern times through the analysis of "Sankanza".
著者
川崎 瑞穂
出版者
日本オーラル・ヒストリー学会
雑誌
日本オーラル・ヒストリー研究 (ISSN:18823033)
巻号頁・発行日
no.9, pp.107-123, 2013-09-11

In the Arakawa-Shiroku area (located in the City of Chichibu, Saitama Prefecture), there are old kagura (a Shinto-based folk performing arts particular to the location), called "Shinmeishakagura". Because of the lack of documentation, the understanding of kagura's history is difficult. Yadenji Hamanaka (one of the successors of this performance tradition) holds much knowledge of the traditional past. This paper will explain the traditions and shed light on some interesting aspects of kagura. Concerning the understanding of the successors, kagura is known to get its influences from kabuki, and many successors of kagura performance understood this. In the research of this paper, I clarify that kagura contains a very complicated background of influences. This result leads us to the conclusion that there is a stratified structure in the successors' understandings of their art.