著者

朝倉 祐一郎

出版者

西田哲学会

雑誌

西田哲学会年報 (ISSN:21881995)

巻号頁・発行日

vol.7, pp.145-148, 2010 (Released:2020-03-23)

著者

朝倉 祐一郎

出版者

西田哲学会

雑誌

西田哲学会年報 (ISSN:21881995)

巻号頁・発行日

vol.6, pp.83-94, 2009 (Released:2020-03-23)

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We can see how unique philosopher Nishida Kitaro’s grasp of art was by examining his analysis of Konrad Fiedler, the 19th century philosopher of art. Instead of merely absorbing Fiedler’s aesthetics, Nishida explored its fundamental “religious”nature. According to Nishida, only art that is fundamentally “religious”can be true art. In this sense, a study of his aesthetics may lead us towards a broader and deeper understanding of Nishida’s philosophy. Therefore, we cannot treat aesthetics as an auxiliary discipline to philosophy. Nishida saw how the realms of religion, philosophy, art, and morals all centered on human “Life”and explored their ideal forms accordingly. In the end, he defined this ideal form as “religion”in his philosophical work.