著者
橘高 彫斗
出版者
美学会
雑誌
美学 (ISSN:05200962)
巻号頁・発行日
vol.71, no.1, pp.25-36, 2020 (Released:2022-02-16)

This paper examines the description in the first volume of John Ruskin’s Modern Painters of the process of the enjoyment of art, and clarifies how Ruskin illustrated that we see nature both internally and externally. Earlier studies regarded this book as a defense of J. M. W. Turner, and posited that it described Turner as a landscape painter who was faithful to nature, balancing romanticism and realism. However, Ruskin describes a process for the enjoyment of landscape art without explicitly naming Turner by using the word “idea.” I focus on this point and try to find new significance in the first volume of his Modern Painters.