著者
渡部 英雄
出版者
湘南工科大学
雑誌
湘南工科大学紀要 (ISSN:09192549)
巻号頁・発行日
vol.48, no.1, pp.69-83, 2014-03-31

In the second half of the 1990s, the analog technology changed to the digital technology in the creation of Japanese animation. In this research the Japanese animation directing techniques of image expression are examined, and how the animation directing techniques have changed is discussed. Around the end of the 1990s, many digital animation movies were born in the world. Many Japanese animation directors were inspired by them, and as a result, Japanese animation developed. In this paper along with the development of the animation directing techniques, the future prospect of the technology is also discussed.
著者
渡部 英雄
出版者
日本アニメーション学会
雑誌
アニメーション研究 (ISSN:1347300X)
巻号頁・発行日
vol.17, no.1, pp.25-31, 2015-09-07 (Released:2023-02-18)
参考文献数
11

1984年、東映動画株式会社は、動画の作画使用枚数をTVアニメ1話に付き3500枚に制限することを開始した。コストを低減するために、他のスタジオ、例えばタツノコプロ株式会社およびサンライズ社も同様の措置を制定した。これらの制限は予想外の結果として、視覚的な表現に於いて日本独自のアニメスタイルになって現れた。当時の資料や演出、アニメーターの経験に基づき、本稿では、作画枚数を節約することが日本のアニメーションのアート的な発展に及ぼした影響ついて述べる。
著者
渡部 英雄
出版者
湘南工科大学
雑誌
湘南工科大学紀要 = Memoirs of Shonan Institute of Technology (ISSN:09192549)
巻号頁・発行日
vol.48, no.1, pp.69-83, 2014-03-31

In the second half of the 1990s, the analog technology changed to the digital technology in the creation of Japanese animation. In this research the Japanese animation directing techniques of image expression are examined, and how the animation directing techniques have changed is discussed. Around the end of the 1990s, many digital animation movies were born in the world. Many Japanese animation directors were inspired by them, and as a result, Japanese animation developed. In this paper along with the development of the animation directing techniques, the future prospect of the technology is also discussed.