著者

百束 朋浩 Tomohiro HYAKUSOKU 東京工芸大学芸術学部映像学科 Department of Imaging Art Faculty of Arts Tokyo Polytechnic University

出版者

東京工芸大学芸術学部

雑誌

芸術世界 = 東京工芸大学芸術学部紀要 = Artworld : Bulletin of Faculty of Arts, Tokyo Institute of Polytechnics (ISSN:13493450)

巻号頁・発行日

no.22, pp.1-7, 2016

著者

百束 朋浩

出版者

東京工芸大学芸術学部

雑誌

芸術世界 = 東京工芸大学芸術学部紀要 = Artworld : Bulletin of Faculty of Arts, Tokyo Institute of Polytechnics (ISSN:13493450)

巻号頁・発行日

no.22, pp.1-7, 2016

著者

百束 朋浩

出版者

東京工芸大学芸術学部

雑誌

東京工芸大学芸術学部紀要 = Bulletin of Faculty of Arts, Tokyo Polytechnic University (ISSN:13493450)

巻号頁・発行日

no.27, pp.13-23, 2021-03-31

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Abstract XR is generally is frequently used as a shorthand to group technologies such as VR, AR and MR. VR have the capabilityof creating a virtual world with various kinds of realistic metaverse, but the flow of time in those worlds is constant.Therefore VR is widely used as a simulator. AR is a technology that gives the realistic world information with a sense ofreality, and the flow of time is the same as in the real world. XR has the potential to develop into an industry as a newvisual media technology that does not control time. This paper examines the technological evolution of XR, and whether ithas the potential to develop into a new contents industry from the technological perspective.

著者

百束 朋浩 Tomohiro HYAKUSOKU 東京工芸大学芸術学部映像学科 Department of Imaging Art Faculty of Arts Tokyo Polytechnic University

出版者

東京工芸大学芸術学部

雑誌

芸術世界 = 東京工芸大学芸術学部紀要 = Artworld : Bulletin of Faculty of Arts, Tokyo Institute of Polytechnics (ISSN:13493450)

巻号頁・発行日

no.23, pp.27-34, 2017

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The purpose of this paper is to compare the difference between the narrative composition of the movie and the cartoon by the behavior of the heroine "Azuki", and to examine the characteristics of each media expression. The heroine in the original nestles closely with the main character, but the heroine of the movie leaving the main character. Original manga can be categorized into a genre called manga cartoonist manga. Its characteristic is that it has a multiple structure that serializes in the "Weekly Jump" while exposing the inside of manga production (such as a questionnaire system, artist's exclusive contract etc..), with the actual editor appearing in real name. The movie always has time constraints. Therefore, elements to be drawn are limited. Movie can't have a complex structure having two or more motifs simultaneously. The movie "Bakuman" dismantled the multilayered structure that is not good, focused on two pairs of rival relations. The movie is a story of young people who aim for manga artists, aiming for first place in "Weekly Jump" magazine, but is not a youth group image. Mashiro, Takagi two people, one manga artist works hard with a genius manga artist "Eiji Nizuma", and eventually it is a story of a confrontation that gains first place in a jump magazine questionnaire. In the original, it is a growing story that the leading character Mashiro becomes a cartoonist, and at the same time it is as story that grows as a heroine Miho Azuki as a voice actor. The stratification of the story is here as well. For the hero heroine is a partner and it is also a rival at the same time. In other words, the hero and the heroine have a man's friendship relationship. In other words, "Bakuman" is also a self-contained story of main character.