文献一覧: Department of Imaging Art Faculty of Arts Tokyo Polytechnic University (著者)

13 0 0 0 IR 実写映画版『ガッチャマン』に見る実写化の視座

著者: 百束朋浩 Tomohiro HYAKUSOKU 東京工芸大学芸術学部映像学科 Department of Imaging Art Faculty of Arts Tokyo Polytechnic University
出版者: 東京工芸大学芸術学部
雑誌: 芸術世界 = 東京工芸大学芸術学部紀要 = Artworld : Bulletin of Faculty of Arts, Tokyo Institute of Polytechnics (ISSN:13493450)
巻号頁・発行日: no.22, pp.1-7, 2016

2023-02-20 23:03:34
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https://ci.nii.ac.jp/naid/120006317925

2 0 0 0 IR 映画『バクマン。』のヒロイン亜豆美保はなぜ待てないのか

著者: 百束朋浩 Tomohiro HYAKUSOKU 東京工芸大学芸術学部映像学科 Department of Imaging Art Faculty of Arts Tokyo Polytechnic University
出版者: 東京工芸大学芸術学部
雑誌: 芸術世界 = 東京工芸大学芸術学部紀要 = Artworld : Bulletin of Faculty of Arts, Tokyo Institute of Polytechnics (ISSN:13493450)
巻号頁・発行日: no.23, pp.27-34, 2017

The purpose of this paper is to compare the difference between the narrative composition of the movie and the cartoon by the behavior of the heroine "Azuki", and to examine the characteristics of each media expression. The heroine in the original nestles closely with the main character, but the heroine of the movie leaving the main character. Original manga can be categorized into a genre called manga cartoonist manga. Its characteristic is that it has a multiple structure that serializes in the "Weekly Jump" while exposing the inside of manga production (such as a questionnaire system, artist's exclusive contract etc..), with the actual editor appearing in real name. The movie always has time constraints. Therefore, elements to be drawn are limited. Movie can't have a complex structure having two or more motifs simultaneously. The movie "Bakuman" dismantled the multilayered structure that is not good, focused on two pairs of rival relations. The movie is a story of young people who aim for manga artists, aiming for first place in "Weekly Jump" magazine, but is not a youth group image. Mashiro, Takagi two people, one manga artist works hard with a genius manga artist "Eiji Nizuma", and eventually it is a story of a confrontation that gains first place in a jump magazine questionnaire. In the original, it is a growing story that the leading character Mashiro becomes a cartoonist, and at the same time it is as story that grows as a heroine Miho Azuki as a voice actor. The stratification of the story is here as well. For the hero heroine is a partner and it is also a rival at the same time. In other words, the hero and the heroine have a man's friendship relationship. In other words, "Bakuman" is also a self-contained story of main character.

2020-12-13 12:30:07
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https://ci.nii.ac.jp/naid/120006317953

2 0 0 0 IR リンドバーグの光と闇 : 市川崑の『太平洋ひとりぼっち』(1963)と『犬神家の一族』(1976)における外国映画の影響

著者: 西村安弘 Yasuhiro NISHIMURA 東京工芸大学芸術学部映像学科 Department of Imaging Art Faculty of Arts Tokyo Polytechnic University
雑誌: 東京工芸大学芸術学部紀要 = Bulletin, Faculty of Arts, Tokyo Institute of Polytechnics
巻号頁・発行日: no.23, pp.11-26, 2017

Kon Ichikawa, a prolific director who made over 80 films in his life, was under the influence of foreign films including The Spirits of St. Luis (1957) and Murder on the Orient Express (1974). Both of them are connected with an American hero Charles Lindberg who flew over the Atlantic Ocean alone and whose little daughter was kidnapped and killed. Comparing Ichikawa's Alone Across the Pacific (1963) and The Inugami Clan (1976) with those films, we might find out the specific characters of his films.