著者

塚田 全彦 眞鍋 千絵

出版者

マテリアルライフ学会

雑誌

マテリアルライフ学会誌 (ISSN:13460633)

巻号頁・発行日

vol.14, no.1, pp.12-17, 2002-01-31 (Released:2011-04-19)

参考文献数

2

著者

眞鍋 千絵 松田 泰典

出版者

東北芸術工科大学

雑誌

東北芸術工科大学紀要

巻号頁・発行日

vol.10, pp.52-73, 2003-03

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Immediately after the Second World War, the Panreal Art Group (Panreal Bijutsu Kyokai) was launched in Kyoto by a group of young artists who had received their training in the traditional Nihonga painting style. This group is known for its avant-garde style and painting techniques. In our research project, the materials and techniques used in six pieces of the group's early works, from 1951 to 1963, in the Kariya City Museum collection were examined and documented. In order to verify and finalize the results of our investigation, we carried out interviews in Kyoto with members as well as families of deceased members of the Panreal Art Group. The distinguishing features of the early works are the use of plywood as support and the application of formalin on ground and paint layer. This research project sought to determine why these materials and techniques were used and what effects they had.