著者

西 昌樹

出版者

北海道大学大学院メディア・コミュニケーション研究院

雑誌

メディア・コミュニケーション研究 (ISSN:18825303)

巻号頁・発行日

vol.62, pp.51-58, 2012-05-25

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To provide an insight into Japanese culture through Japanese modern novels, I give a class "Japanese modern literature" for international students. In this class, students read a variety of Japanese novels and then examine various aspects and styles of Japanese literature as presented in these novels. I give here the last version of this program, using novels based on the weekly themes listed below. Course Description. Week 1. General Introduction: Change of Style: Banana Yoshimoto, Ryu Murakami, Rieko Matsuura, Makoto Shiina, Yoshio Kataoka, Eto Mori. Week 2. Origin of New Style: Motoko Arai. Week 3. New Colloquial Expression 1: Saeko Himuro. Week 4. New Colloquial Expression 2 (Girl's monologue by a male author): Osamu Dazai, Haruka Takachiho, Osamu Hashimoto. Week 5. Light Novel, Historical Review: Ryo Mizuno (Record of Lodoss War), Hajime Kanzaka (Slayers), Nagaru Tanigawa (Haruhi Suzumiya), Kouhei Kadono (Boogiepop), Masaki Okayu (Dokuro-chan), Daisuke Goya (A-kun(17)). Week 6. Great Hit: Kyoichi Katayama, Yoshi (Deep Love). Week 7. From Light Novel 1: Kazuki Sakuraba. Week 8. From Light Novel 2: Hiro Arikawa. Week 9. From Light Novel 3: Honobu Yonezawa. Week 10. Character Novel: Yoshiki Tanaka, Sunako Kayata. Week 11. Fantasy: Fuyumi Ono (Twelve Kingdoms), Nahoko Uehashi. Week 12. Playing with Words: Ishin Nishio. Week 13. Girl's Monologue today: Eimi Yamada, Tetsuya Honda, Nobara Takemoto, Miho Toyoshima. Week 14. Otaku: Shion Miura. Week 15. Today's Best: Risa Wataya and Mieko Kawakami.

著者

西 昌樹

出版者

北海道大学大学院メディア・コミュニケーション研究院

雑誌

メディア・コミュニケーション研究 (ISSN:18825303)

巻号頁・発行日

vol.62, pp.59-72, 2012

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To provide an insight into cinema directors and their films, I give a class "World Cinema Directors and Their Films" for university students. In this class, students watch a variety of films and then examine various aspects and images as presented in these films. I give the last version of this program, using films based on the weekly themes listed below. Course Description. Week 1. General Introduction: Derek Jarman (Blue) and many films. Week 2. Sergei Eisenstein: The Battleship Potemkin. Week 3. Luis Buñuel: An Andalusian Dog, Robert Flaherty: Nanook of the North, Man of Aran. Week 4. Leni Riefenstahl: Festival of Nations, Triumph of the Will. Week 5. How to analyze: Stanley Kubrick (Lolita), David Hamilton (Bilitis), Serge Gainsbourg (Stan the Flasher) etc. Federico Fellini: La Dolce Vita, 8 1/2, Toby Dammit (in Spirits of the Dead). Week 6. Jean-Luc Godard: Breathless. Week 7. Roman Polanski: Knife in the Water. Week 8. Jim Jarmush: Stranger Than Paradise. Week 9. Aki KaurismäLeningrad Cowboys Go America, Ariel. Week 10. Victor Erice: The Spirit of the Beehive. Week 11. Leo McCarey: Duck Soup. Week 12. Richard Lester: Help!. Week 13. Ingmar Bergman: The Seventh Seal. Week 14. How to analyze 2: Many films (Privilege, Sid & Nancy, Track 29, Trainspotting, American Graffiti, The Graduate, The Clockwork Orange, Blade Runner, Derek Jarman: The Angelic Conversation, Peter Greenaway: Windows, Water Wrackets). Week 15. Examination Mohsen Makhmalbaf: The Door (in Tales of Kish).