著者

辜 承堯

出版者

関西大学東西学術研究所

雑誌

関西大学東西学術研究所紀要 (ISSN:02878151)

巻号頁・発行日

no.49, pp.333-352, 2016-04

---

Japanese scholars began their studies of Chinese drama in the Meiji period. After the Meiji Restoration, Japanese academia was significantly influenced by Western academic methods, and as result of this aspects of folk culture such as drama became an important object of study in the field of Chinese-literature studies. Masaru Aoki(1887‒1964) was a famous researcher of Chinese drama during Japan's modern period. Through Aoki's writings and the recollections of his family and close friends, this paper will attempt to outline the contours of his Chinese-drama research. Through an analysis of Aoki's major works(Shina Kinsei Gikyoku shi ,Genjin Zatsugeki Jyosetsu), this paper will clarify the approach and problems that are characteristic of Aoki's drama research.

著者

辜 承堯

出版者

関西大学東西学術研究所

雑誌

関西大学東西学術研究所紀要 (ISSN:02878151)

巻号頁・発行日

vol.51, pp.A227-A248, 2018-04-01

---

Aoki Masaru (1887-1964) is one of the earliest scholars who study on Chinese traditional literature. This paper is focused on Aoki's Etymological Studies. His research method is comparing sound, shape and meaning from a large number of examples, to prove the change of name and object, and the reason of the isolation of the name and object of China and Japan. His research on Etymological Studies originated from his interest in Chinese customs, therefore, his research object mainly focuses on the name and object of China and Japan. While evaluating the positivism of its research, we can also find that most of its research is of its own interest.