著者

Andrew J.Dudley 近藤 耕人

出版者

日本映像学会

雑誌

映像学 (ISSN:02860279)

巻号頁・発行日

no.47, pp.p18-33, 1992-03

著者

近藤 耕人

出版者

日本映像学会

雑誌

映像学 (ISSN:02860279)

巻号頁・発行日

vol.53, pp.5-17,145, 1994-11-25 (Released:2019-07-25)

参考文献数

15

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The chinese characters for "Eizo" which we Japanese use to mean visual image have a hard and mechanical impression, compared to "image" which means both inner and visual images. Its double meaning enables the word "image" to approach the subject from both the sides of our being, internal and external.  J.-D. Nasio witnessed the separation of eyes and manazashi with one of her patients in Les yeux de Laure. Jacque Lacan, following J.P.Sartre, argued that eyes and manazashi do not coexist but hide each other. Lacan saw the embodyment of the invisible power of manazashi in the symbolic object flying in air in the middle space of the tableau, "The Ambassadors" by Hans Holbein the younger. He regards it as the expression of the hidden male desire incarnated in a skull=phallus image.  The image as the projection of manazashi reflects the spirit of the viewer as well as his or her figure.

著者

近藤 耕人

出版者

Japan Society of Image Arts and Sciences

雑誌

Iconics (ISSN:13454447)

巻号頁・発行日

vol.1, pp.5-23, 1987-12-21 (Released:2019-05-20)

参考文献数

11

著者

[近藤耕人 相場啓介著]

出版者

中村直人彫刻絵画調査研究所

巻号頁・発行日

2018

著者

近藤 耕人

出版者

昭和女子大学

雑誌

學苑 (ISSN:13480103)

巻号頁・発行日

vol.845, pp.102-103, 2011-03-01