著者

村嶋 英治 鄭 成

出版者

早稲田大学アジア太平洋研究センター

雑誌

WIAPSリサーチ・シリーズ (ISSN:2185131X)

巻号頁・発行日

no.1, pp.1-241, 2012-12-15

著者

鄭 成

出版者

早稲田大学アジア太平洋研究センター

雑誌

アジア太平洋討究 (ISSN:1347149X)

巻号頁・発行日

vol.43, pp.103-121, 2022-02-28 (Released:2022-03-24)

参考文献数

20

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In the early years of the People’s Republic of China (RPC), to strengthen the thought reform of the entire population, the Chinese Communist Party (CCP) pursued a literary and artistic policy that emphasized politics but ignored the objective law of artistic creation, leading to an unprecedented decline in literary and artistic creation. Nevertheless, this policy was strongly supported by many literary and artistic cadres back then, including Cai Chusheng, the subject examined in this article.Before 1949, Cai Chusheng had already been a well-known director who produced many excellent films and owned unique insights and high attainments in artistic creation. As a matter of common sense, an artist like him should not easily recognized the then literary and artistic policy, but the reality is opposite.Cai Chusheng’s recognition of the literary and artistic policy can also be regarded as his recognition of and adaption to the thought reform as an artist. What factors, then, affected Cai Chusheng’s thought and motivated him to recognize and support the literary and artistic policy? Answering this question is significant for understanding and exploring the transformation of intellectual thinking during the early years of the PRC from multiple perspectives. This article examines each of the five aspects of values, work experience, information environment, living condition, and family relations to analyze how they affected the formation and solidification of Tai Chusheng’s thought.Regarding the thought reform in the early years of the PRC, many studies focus on the persecution of and crackdown on intellectuals. They regard that the reason why intellectuals lost the ability of independent and critical thinking was mainly due to political oppression and the enclosed social environment brought about by the thought reform. Therefore, many intellectuals’ recognition and acceptance of socialist thought is a passive result. While recognizing this view, the author argues that there were many types of intellectuals back then, and due to their divergent values, work environments, and life situations, except for political repression mentioned above, many other factors play a role in the process of their thought transformation.

著者

鄭 成

出版者

一般財団法人 アジア政経学会

雑誌

アジア研究 (ISSN:00449237)

巻号頁・発行日

vol.61, no.1, pp.24-37, 2015-05-24 (Released:2015-06-04)

参考文献数

36

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The cultural exchanges between China and the former Soviet Union in the 1950s include Chinese government’s effort in spreading the information of the advanced development of the Soviet Union as a socialist leader. In order to nurture a friendly atmosphere of Sino-Soviet relationship, Beijing utilized a series of advertisement tools from arts (such as literature and movies) to newspapers, magazines and radio broadcasting. This subject has become a well researched theme of Sino-Soviet relations.Relevant literature mainly focuses on the following two aspects. The first aims to illustrate a comprehensive picture of cultural exchanges, paying attention to Sino-Soviet Friendship Association, publications, advertisement and events. The other analyzes reception of the Soviet culture in the Chinese society, by looking at specific literature and art genres. Through analysis of the nation-wide Sino-Soviet Friendship Month Campaign in the end of 1952, the author hopes to shed light on the policy objectives, methods and some of the ensuing impacts of the Chinese government in its attempt to promote Sino-Soviet cultural exchanges.The Sino-Soviet Friendship Month Campaign lasted for one month. In addition to advertisement activities among the Chinese general public, the campaign also brought 300 Soviet representatives visiting Chinese cities and immediately contacting approximately 1 million Chinese people. Relevant institutes and organizations in the Chinese side highly regarded their political responsibilities in welcoming these representatives. In particular, the Chinese side mobilized large-scale public to create enthusiasm as a way to show compassion between the hosts and the guests. Together with other efforts and thorough advertisement, the Friendship Month Campaign significantly contributed to improving perception of the USSR among the Chinese general people.However, at a closer glance, we may also notice major shortcomings in the Chinese efforts. Regardless of the scale and enthusiasm, the exchanges between the Chinese people and the Soviet representatives remained only at the group level, leaving contacts at the individual level extremely limited. Needless to say, individual relation is a key factor in improving international relations. It is important that we understand this aspect in explaining Sino-Soviet relations in the 1950s.

著者

村嶋 英治 鄭 成

出版者

早稲田大学アジア太平洋研究センター

雑誌

WIAPSリサーチ・シリーズ (ISSN:2185131X)

巻号頁・発行日

vol.1, pp.1-241, 2012-12-15