著者

関西 剛康

出版者

公益社団法人 日本造園学会

雑誌

ランドスケープ研究 (ISSN:13408984)

巻号頁・発行日

vol.84, no.5, pp.453-458, 2021-03-31 (Released:2021-06-16)

参考文献数

54

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The purpose of this study is to elucidate the view of gardens held by Ashikaga Takauji and his younger brother Tadayoshi, members of the Ashikaga shogun clan who played active roles in Kyoto Prefecture in the early Muromachi period. Takauji used his residential garden for mingling with Zen priests, but not for hosting poetry meetings, which was one of the Japanese dynastic customs. His younger brother Tadayoshi, however, started to hold such events as poetry meetings at the garden of his residence, known as Sanjobo-montei, offering a place to the aristocratic class called Kuge, the military nobility known as Buke, and Zen priests so that they could mingle with one another. This suggests that it is Ashikaga Tadayoshi who began the custom of using residential and other gardens for the Japanese dynastic culture. The Ashikaga brothers used the gardens of other places than their residences, such as Tenryu-ji Temple and Saiho-ji Temple, for communicating with various people, including the Emperor and Zen priests. The Ashikaga brothers organized events for the dynastic culture and Zen Buddhism at such gardens, making cross-cultural communication between the Kuge aristocratic class, the Buke military nobility, and Zen priests catch on with these three circles.

著者

関西 剛康

出版者

公益社団法人 日本造園学会

雑誌

ランドスケープ研究 (ISSN:13408984)

巻号頁・発行日

vol.69, no.5, pp.687-690, 2006 (Released:2007-11-13)

参考文献数

13

被引用文献数

2 2

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After the Onin civil war (1467-77) in the mid-Muromachi era, Zen temples were restored comprehensively, from buildings and rooms, to gardens, which is the background of the dry landscape garden. The objective of this study is to explore the methods for producing the scenic composition of dry landscape gardens, which were developed mainly in the Zen sect. In order to study these production methods, the authors delved into the shoin style of architecture accompanied with dry landscape gardens, the characteristics of the rooms inside the buildings, how landscape paintings of Zen art that were developed to ornament the rooms were produced, and what kinds of characteristics are possessed by the pictoral composition of the landscape paintings. As a result, it was analogized that the similarities between dry landscape gardens and landscape paintings are not only the subject matter but also the characteristics of their components.