著者

青木 靖子

出版者

こども教育宝仙大学

雑誌

こども教育宝仙大学紀要 = Bulletin of Hosen College of Childhood Education

巻号頁・発行日

vol.2, pp.87-96, 2011-03-16

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This notes are concerned with musical performance in what is known as the " Galant Style ". In order to show how the performing style of this period evolved, and to show the impact of J. J. Quantz, F. W. Marpurg, D. G. Türk, and F.J. Haydn of forgotten period on later generations of musicians, I have had to describe the function of Italian tempo directions (Allegro, Andante, Largo, etc.).This notes attempts to describe some of the rules and conventions which governed musical performance in the times of Galant. The rules mentioned in this notes should be checked by every modern performer.

著者

青木 靖子

出版者

こども教育宝仙大学

雑誌

こども教育宝仙大学紀要 (ISSN:18847617)

巻号頁・発行日

vol.2, pp.87-96, 2011-03-16

---

This notes are concerned with musical performance in what is known as the " Galant Style ". In order to show how the performing style of this period evolved, and to show the impact of J. J. Quantz, F. W. Marpurg, D. G. Türk, and F.J. Haydn of forgotten period on later generations of musicians, I have had to describe the function of Italian tempo directions (Allegro, Andante, Largo, etc.).This notes attempts to describe some of the rules and conventions which governed musical performance in the times of Galant. The rules mentioned in this notes should be checked by every modern performer.