著者

松本 和也 マツモト カツヤ

出版者

神奈川大学人文学会

雑誌

人文研究 = Studies in humanities (ISSN:02877074)

巻号頁・発行日

no.206, pp.1-35, 2022-09-30

---

This paper focuses on Hatakazu Kayano (Torahiko Koori), who has been positioned as a minor poet in the history of Japanese literature. At the end of the Meiji Era, the theater was taking a new turn, and Hatakazu Kayano was an active playwright during this period. In this paper, I revisit the plays written by Hatakazu Kayano from the perspective of his contemporaries, focusing on plays published in Mita Bungaku and Subaru. The paper is organized as follows. Chapter I presents the gaps in our knowledge and other problems based on a review of previous studies. Chapter 2 analyzes the evaluation of the works Kayano published before he began writing plays. Chapters 3 and 4 discuss how the plays Kayano wrote were evaluated. With these plays, Hatakazu Kayano had come to be regarded as the standard-bearer of the Neo-Romantic movement by 1907. For Chapter 5, I survey and analyze the criticism of Dojoji and discuss its possibilities and limitations, and then summarize this paper.