著者

木俣 元一 KIMATA Motokazu

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集 (ISSN:04694716)

巻号頁・発行日

vol.54, pp.45-57, 2008-03-31 (Released:2008-10-06)

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The metaphor of seal and its imprint has a long tradition from Antiquity to Middle Ages. This study aims to investigate into the relationship between this metaphor and medieval christian image theory and visuality. In this first part, we treat following themes: 1. imprint as a mean of mechanical reproduction, 2. imprint as epistemological model, 3. imprint as token of Christian, 4. model and copy.