著者

東森 勲

出版者

龍谷大学国際社会文化研究所

雑誌

龍谷大学国際社会文化研究所紀要 (ISSN:18800807)

巻号頁・発行日

no.16, pp.299-336, 2014-06

著者

毛 章清

出版者

龍谷大学

雑誌

龍谷大学国際社会文化研究所紀要 (ISSN:18800807)

巻号頁・発行日

vol.9, pp.148-159, 2007-05

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日本の在華中国語新聞の中で,『〓報』はその特徴として創業時期が早く,存続時間が長く,広範な社会的影響力があった。福建省新聞業発展史の角度からみて,同省において継続時間が最も長く,影響力が最も大きかった外国新聞として,同省社会の各領域に対する『〓報』の影響は無視できないものがある。本研究は二つの部分からなる。第一部分は,創業時期,紙面配置,発行,創業者など『〓報』の一般状況についての初歩的考察,第二部分は,『〓報』の具体的内容とその影響に関するさらに突っ込んだ研究と分析である。本文は前者の分析と検討に重点を置く。

著者

松居 竜五

出版者

龍谷大学

雑誌

龍谷大学国際社会文化研究所紀要 (ISSN:18800807)

巻号頁・発行日

vol.7, pp.149-156, 2005-03-25

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Walter Tennyson Swingle (1871-1952), botanist of US Department of agriculture had correspondence with Minakata Kumagusu from 1906 to 1920. According to the 23 letters from Swingle preserved in Minakata's former residence, he continued to ask Minakata to study the origins of cultivated plants in ancient Chinese literature. The aim of Swingle was to prove the pre-Columbian communication between China and America by the traces of cultivated plants such as corn. He also tried to invite Minakata to US, suggesting that he would possibly offer a research position for him in the Congress Library. We herewith publish the transcription of Swingle's letter to Minakata and examine the relationship between the two botanists.

著者

松居 竜五

出版者

龍谷大学

雑誌

龍谷大学国際社会文化研究所紀要 (ISSN:18800807)

巻号頁・発行日

vol.8, pp.176-185, 2006-05-31

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Shoujo is a style of Japnese comics for girls and young women in their teens, which developed in the postwar period. This style, often thought to be a very peculiar one even in Japan, is now gaining popularity in the US and Europe. This paper analyzes why such a genre attracts the mind of many readers in the West and who the first generation creators of it are. It will reveal that the female teens did not have their own voice in popular culture and those who belong to the minority group are particularly interested in this genre imported from a foreign country.

著者

朴 銓烈

出版者

龍谷大学

雑誌

龍谷大学国際社会文化研究所紀要 (ISSN:18800807)

巻号頁・発行日

vol.10, pp.16-25, 2008-06

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The men who handled the civil arts in the Chosun Dynasty (1392-1910) are Jaeseungin held the ceremonies at the temples, and entertainers in the series of Sajang, Sadang and Namsadang., and Suchuck in the series of northern nomads (servants belonging to Sungkunkwan), and the entertainer in the native of hereditary Mukye In the latter term of Chosun Dynasty, the activities of wandering artistic groups had been diverse in the forms with the Kulipkun who had mainly presented a performance by visiting the each home in the village. The Korea art is originated from Sanyo and Bakhee which are shared the common art and culture heritage in the Eastern Asia countries, Korea, Japan and China. The origin of Sanyo and Bakhee have the part that trace to the remote the Western China. These arts had been successfully transmitted from generation to generation because there were groups of people who transmitted them by their jobs, and there were the class of people who made their livelihood by their talents. The art people who had been in charge of the traditional art in the various methods at each generation did their job faithfully in the hard conditions. Especially the wandering entertainer who had to perform at the street, did their valuable responsibilities as a main group of artistic transmission.