著者

宮崎 まゆみ

出版者

The Society for Research in Asiatic Music (Toyo Ongaku Gakkai, TOG)

雑誌

東洋音楽研究 (ISSN:00393851)

巻号頁・発行日

vol.1984, no.49, pp.39-70,L2, 1984-09-30 (Released:2010-02-25)

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This article deals with a musical study of the accompanied vocal piece “Kurokami” as it exists in the two different Edo-period vocal music genres, jiuta and nagauta, and reaches the conclusion that the jiuta piece is the older or original version of the two. The basic reason for this result lies in the fact that the jiuta shamisen and vocal parts as well as the nagauta shamisen part are basically identical in melodic movement, and this movement has been demonstrated to be based on the accent of Edo-period Japanese in the Kansai area. The setting of the text in this way indicates that the piece was most likely composed in the Kansai area. Jiuta was the music of the Kansai and nagauta that of the Kanto (Edo) areas, and it would appear unlikely that the nagauta version of the piece was the original since, if that was the case, it should be expected that the nagauta shamisen and vocal part should agree in melodic movement and present a version based on the accent of Japanese in the Edo region.