著者

上野 大輔

出版者

東海大学

雑誌

東海大学紀要. 教養学部 (ISSN:03892018)

巻号頁・発行日

vol.38, pp.97-113, 2007

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A concept of Twelve-Tone Technique by A. Schoenberg (1874-1951) is one of his "musical ideas". It originated in the music after the loss of tonality, but it was characterized by the function of tonality : while the tonality gave the unifying and articulating character to musical form, so he thought that the musical work composed by Twelve-Tone Technique should have a "comprehensibility" with the unifying and articulating character. Consequently, Twelve-Tone Technique was a symbol of New Music, but is based on the traditional concept of tonal music. So, with this technique Schoenberg gave a direct expression to his musical works.