著者
馮 赫陽
出版者
関西大学
雑誌
東アジア文化交渉研究 (ISSN:18827748)
巻号頁・発行日
vol.4, pp.447-465, 2011-03-31

The damp and mild climate of East Asia provides the ideal environment forvarnish trees, and it is no surprise that the art of lacquer originated in this region.Chinese and Japanese lacquer work represent the highest level of this art; however, whenfocusing on the interaction of lacquer technique between China and Japan, the rolevarnish played should not be ignored.Japan is famous for its lacquer work. From the Edo period, the Japanese varnishmerchants actively sought Chinese varnish from the Chinese merchants trading inNagasaki. With the expansion of the Japanese lacquer industry during Meiji period, thedemand for varnish became increasingly urgent, a result of which was the importanceattached to the importation of Chinese varnish by the Japanese lacquer industry.

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明治期の中国産漆のこと 清末における中国漆の輸出についてhttps://t.co/ARRjgoVCVL 清国産漆液調査報告 https://t.co/rQyzlJ3a6S 正誤表 https://t.co/WFdhq9koxn
清末における中国漆の日本輸出について https://t.co/dtEUmlyTXM 中国の漆産地や明治時代の漆輸入の変動、清国内での工芸振興による漆需要の増大などいろいろ興味深い

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