著者

原田 正俊

出版者

関西大学

雑誌

東アジア文化交渉研究 (ISSN:18827748)

巻号頁・発行日

vol.2, pp.31-45, 2009-03-31

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In medieval society in Japan, Zen monks played an important role in cultural interactions in East Asia. In the late 13th to 14th centuries, there were Five Great Zen Temples both in Kyoto and Kamakura, and the activities of Zen monks were expanded. The Five Great Zen Temples house a large amount of books from China. I chose the books housed in Tofuku-ji Temple and analyzed their contents. In addition, I also chose Shushin Gidoh as the topic of my research and considered the greatness of the influence he had on the policymakers, such as people surrounding the Kamakura shoguns and Ashikaga shoguns by specifying the books he read and his lecture activities. Furthermore, I clarified the meanings that the relationship between Buddhism and Confucianism preached by Zen monks had on Japanese society, and the influence of the cultures of the continent including Zen sects on Muromachi culture through noh plays.

著者

二階堂 善弘

出版者

関西大学

雑誌

東アジア文化交渉研究 (ISSN:18827748)

巻号頁・発行日

vol.5, pp.11-22, 2012-02-01

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Seen from the perspective of cultural interaction, Myōken was originally therepresentative deity of esoteric Buddhism; however, it is believed that under the infl uence of multiple gods, this deity underwent a change. For example, Zhenwu, as the god Zhenzhai Lingfu, blended and fused with Myōken. Because of this syncretism, a Zhenwu-type Myōken appears in fi gures, such as the Chiba Myōken. In other examples, however, Myōken assumes a form close to the Daishōgun, and a number of diverse images have been preserved. This diversity of the Myōken god suggests that it should beconsidered a composite of multiple gods.

著者

稲垣 智恵

出版者

関西大学文化交渉学教育研究拠点(ICIS)

雑誌

東アジア文化交渉研究 = Journal of East Asian Cultural Interaction Studies (ISSN:18827748)

巻号頁・発行日

vol.3, pp.279-299, 2010-03-31

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Many Japanese suffixes, such as 的 “-teki” were created in the early Meiji period in order to translate Western languages with inflection, and they were also introduced to China. To date, those suffixes have been used in both Chinese and Japanese as they can be found in modern Chinese and Japanese lexicons. While the Japanese suffix, 的 “–teki” is used to add an adjective meaning to a noun, whereas the Chinese 的 “de” is not . By comparing the usage of the suffix 的,this paper examines how differently Western languages with inflection were understood by Chinese and Japanese people, as well as, how the usage and meaning of the suffix have changed over time.

著者

二階堂 善弘

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.13, pp.325-336, 2020-03-31

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Wei Juxian believes Fengshen Yanyi was influenced by Shenxian Tongjian. I agree with this view. However, Shenxian Tongjian was published after Fengshen Yanyi. Many Studies think Fengshen Yanyi is not affected by Shenxian Tongjian. But in terms of content, Shenxian Tongjian has no influence from Fengshen Yanyi. But on the one hand, Shenxian Tongjian was influenced by Xiyouji. The legend of Jesus Christ and Muhammad is recorded in Shenxian Tongjian. But the author thinks that Jesus Christ is an immortal.

著者

稲垣 智恵

出版者

関西大学

雑誌

東アジア文化交渉研究 (ISSN:18827748)

巻号頁・発行日

vol.3, pp.279-299, 2010-03-31

---

Many Japanese suffixes, such as 的 "-teki" were created in the early Meiji period in order to translate Western languages with inflection, and they were also introduced to China. To date, those suffixes have been used in both Chinese and Japanese as they can be found in modern Chinese and Japanese lexicons. While the Japanese suffix, 的 "–teki" is used to add an adjective meaning to a noun, whereas the Chinese 的 "de" is not . By comparing the usage of the suffix 的,this paper examines how differently Western languages with inflection were understood by Chinese and Japanese people, as well as, how the usage and meaning of the suffix have changed over time.

著者

田野村 忠温

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.13, pp.61-79, 2020-03-31

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The country name '独逸', which reads 'doitsu' and denotes Germany, is an exceptional instance among the large inventory of Kanji transliterated foreign names and terms in Japanese. It is partly because '独逸', unlike many of the other Kanji transliterated place names, was not borrowed from China, but created in Japan, and partly because dozens of different Kanji transliterations were attempted before '独逸' was finally selected as the standard. This article will analyze and clarify the background and process of the establishment of '独逸'. The exceptional nature of '独逸' will be argued to result from the historical social condition of Japan, which was under self-imposed national isolation since the seventeenth century, as well as from the peculiarity of Kanji transliterations in Japanese in general as compared with those in Chinese.

著者

稲垣 智恵

出版者

関西大学文化交渉学教育研究拠点(ICIS)

雑誌

東アジア文化交渉研究 = Journal of East Asian Cultural Interaction Studies (ISSN:18827748)

巻号頁・発行日

vol.3, pp.279-299, 2010-03-31

---

Many Japanese suffixes, such as 的 “-teki” were created in the early Meiji period in order to translate Western languages with inflection, and they were also introduced to China. To date, those suffixes have been used in both Chinese and Japanese as they can be found in modern Chinese and Japanese lexicons. While the Japanese suffix, 的 “–teki” is used to add an adjective meaning to a noun, whereas the Chinese 的 “de” is not . By comparing the usage of the suffix 的,this paper examines how differently Western languages with inflection were understood by Chinese and Japanese people, as well as, how the usage and meaning of the suffix have changed over time.

著者

張 麗山

出版者

関西大学

雑誌

東アジア文化交渉研究 (ISSN:18827748)

巻号頁・発行日

vol.5, pp.103-113, 2012-02-01

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Sarutahiko is well known god from Japanese mythology. An indication of his popularity with the populace can be seen in the more than ten other names the god also has been given. Moto'ori Norinaga discusses Sarutahiko in his Kojikiden and argues forthe multiplicity of the god's personalities. Nevertheless, there are numerous aspects ofthe god's origin that remain unclear. Most of the research is in linguistics, anthropology, literature and other fi elds; however, there is very little that examines the god from the larger vantage of East Asia. This essay turns to documents related to the mythology of the Kojiki and the Nihongi and compares this myth with similar myths found throughout East Asia to re-evaluate Sarutahiko's traits. In particular, the essay focuses on the function of the god through pursuing one of his names, Chimata-no-kami.

著者

二階堂 善弘

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.15, pp.251-263, 2022-03-31

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This report examines the origin of the immortals that appeared in Fengshen Yanyi. The authors of FengshenYanyi did not understand Taoist and Buddhist scriptures, so they compiled the book based on folk literary works such as popular novels and drama scripts. Immortals such as Taiyi Zhenren and Guangchengzi often appear in the drama.

著者

董 科

出版者

関西大学文化交渉学教育研究拠点(ICIS)

雑誌

東アジア文化交渉研究 (ISSN:18827748)

巻号頁・発行日

no.3, pp.489-509, 2010-03

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The epidemics had been prevalent during the Nara period in Japan. Among these infectious diseases, some types were originated from Japan and some new ones were imported from the Asian continents. This thesis is a research which based on the records of epidemics written in Shoku-Nihongi. According to epidemiological analysis, the time and space distributions of epidemics during the Nara period are made clear. Based on these distributions, the contagious patterns of the diseases came from the Asian continents, and the prevalent space of the inherent infections is demonstrated.

著者

二階堂 善弘

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.16, pp.169-180, 2023-03-31

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The characters that appear in “Fengshen Yanyi” are either recorded in history books, or developed by later beliefs as gods and goddesses, or due to authorial creation. This thesis notes the emergence of Marshal Gods in “Fengshen Yanyi”. The origin of Marshal Gods is investigated, while other sources are investigated in relation to their appearance.

著者

陳 莉莉

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.14, pp.435-447, 2021-03-31

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The Kantei faith in China developed greatly during the Song-Yuan Dynasty, and the imperial court's posthumous rank became a "King" through the "Hou" and "public". The form of Guan Yu has been fixed with the development of literary works such as storytellings, ghost novels, Yuan Zaju operas, Yuanqu,and novels. Although the Yuan dynasty's Guan Yu paintings are slightly different in shape, the Danfeng eyes, Jujube face, and long beard is already established at this time. However, the statue of the Kantei, which is said to have been handed down from the Chinese Yuan Dynasty, is different from this one. The purpose of this paper is to, through the analysis of the Severnt God and those belongings, compare the shape of Kantei in Chinese Song-Yuan Dynasty, the depiction of storytelling in the works of literature and the statue of Kantei of the DaikoJi Temple, and to examine the image of the Kantei in the DaikoJi Temple, which is said to be the oldest in Japan.

著者

董 科

出版者

関西大学文化交渉学教育研究拠点(ICIS)

雑誌

東アジア文化交渉研究 = Journal of East Asian Cultural Interaction Studies (ISSN:18827748)

巻号頁・発行日

vol.3, pp.489-509, 2010-03-31

---

The epidemics had been prevalent during the Nara period in Japan. Among these infectious diseases, some types were originated from Japan and some new ones were imported from the Asian continents. This thesis is a research which based on the records of epidemics written in Shoku-Nihongi. According to epidemiological analysis, the time and space distributions of epidemics during the Nara period are made clear. Based on these distributions, the contagious patterns of the diseases came from the Asian continents, and the prevalent space of the inherent infections is demonstrated.

著者

高橋 誠一

出版者

関西大学文化交渉学教育研究拠点(ICIS)

雑誌

東アジア文化交渉研究 = Journal of East Asian Cultural Interaction Studies (ISSN:18827748)

巻号頁・発行日

vol.2, pp.121-144, 2009-03-31

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Mazu is known as the Voyage Goddess among the common people in East Asia and Southeast Asia today. Though the Mazu belief was initially confined to the coastal areas in Southern China, especially in Fujian Province or Guangdong Province due to the strong association with voyages, the sphere of the belief expanded since it was gradually thought to be beneficial to other things but voyage. Mazu was embraced by Tenpi in the Qing Era and Tengo in the Yuan Era, and “Tenpi Temples” and “Tengo Temples” honoring Mazu were widespread and diffused not only to the coastal areas in southern China but also to East Asia and Southeast Asia. When the Mazu belief was introduced to modern Japan, it was connected with the belief of Funatama (the guardian deity of ships) and spread. In this report, the Mazu (Tenpi) belief, which gradually changed with the development, diffusion and spread of the belief, is considered from the viewpoint of historical geography.

著者

池田 智恵

出版者

関西大学

雑誌

東アジア文化交渉研究 (ISSN:18827748)

巻号頁・発行日

vol.5, pp.225-237, 2012-02-01

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At the end of the Qing period, there was a boom in the translation of mystery novels; however, the writing of mystery novels by Chinese authors did not become popular until the 1920s. Beginning in the late 1910s, mystery-writing contests were announced in the newspaper readers' columns, and many of the submissions resemble the earlier translated works all being set in overseas locations. At the same time, Chinesenewspapers were overfl owing with reader submissions, known as "black curtain" articles, that disclosed the darker side of society, that were extremely popular. With the appearance of mystery novels, it was believed that imagination was necessary for the appreciation of the newspaper article as a form of entertainment. In the 1910s, however, the writing of mysteries and "black curtain" articles had yet to fuse, but in analyzing the works of the 1920s, it is possible to discern that they were written based on the imagination used for the "black curtain" articles. From this point, "black curtain" article and mysteries fuse, and mystery novels that problematise China begin to be produced.

著者

二階堂 善弘

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.7, pp.217-228, 2014-03-31

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Well known as three eyed God Erlangshen 二郎神, but who had only two eyes in Ming dynasty. There are no portrait of threee yed Erlangshen in Fengshen Bang 封神榜 and Xiyouji 西遊記. Perhaps this effect from another three eyes of God Huaguang 華光. And briefing of the Erwangmiao 二王廟 in Dujiangyan Sichuan.

著者

池田 智恵

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.16, pp.3-17, 2023-03-31

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Lin Shuhua (林淑華) is best known as the author of "Shengsilian (生死恋)" (1948). It is an autobiographical work by Lin and was serialized in the magazine "Kangli Monthly" at the end of the 1940s and was quite popular at that time. This article considers the creative activity of Lin Shuhua in relation to the magazine "Kangli Monthly" and its readers. In "Kangli Monthly", Lin Shuhua first appeared as a contributor, then as the author of "Shengsilian", and then as the host of "Kangli Xinxiang (伉儷信箱)", a column of readers' contributions, in which she sincerely answered the serious problems of life of the readers. This mutual relationship with readers also influenced Lin's creative activities. In the "Shengsilian" and "Zhufu zhi you (主婦之友)" she uses for example a letter style and a "call to someone", which are common in "Kangli Monthly," and this gave them a structure that facilitated the sympathy of readers.

著者

許 海華

出版者

関西大学文化交渉学教育研究拠点(ICIS)

雑誌

東アジア文化交渉研究 (ISSN:18827748)

巻号頁・発行日

no.5, pp.267-280, 2012-02

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The end of the Tokugawa bakufu's control of Nagasaki in 1868 also meant the demise of the Nagasaki Tōtsūji Bureau. As many of the former institution's translators were skilled linguists and experienced in foreign negotiation, they were appointed topositions the Meiji government. This use of members of a group with practical skills inforeign relations since the Edo period provided the government with an immediateoffensive corps for the New Japan. To pursue an understanding of the changes thatoccurred in institutions such as the Nagasaki Translation Bureau requires investigating its structure during the bakumatsu period. In forming an explanation of the Tōtsūji Bureau, this essay therefore draws upon two sources that illuminate the Nagasaki government offi cials during this time. The structure of the Tōtsūji Bureau during the Genji and Keiō eras, 1864 to 1867 is recreated, and furthermore, the structure of the post-1867 (Keiō 3) reformation through the period immediately after the Meiji Restoration is analysed.

著者

張 麗山

出版者

関西大学文化交渉学教育研究拠点(ICIS)

雑誌

東アジア文化交渉研究 = Journal of East Asian Cultural Interaction Studies (ISSN:18827748)

巻号頁・発行日

vol.5, pp.103-113, 2012-02-01

---

Sarutahiko is well known god from Japanese mythology. An indication of his popularity with the populace can be seen in the more than ten other names the god also has been given. Moto’ori Norinaga discusses Sarutahiko in his Kojikiden and argues for the multiplicity of the god’s personalities. Nevertheless, there are numerous aspects ofthe god’s origin that remain unclear. Most of the research is in linguistics, anthropology, literature and other fields; however, there is very little that examines the god from the larger vantage of East Asia. This essay turns to documents related to the mythology of the Kojiki and the Nihongi and compares this myth with similar myths found throughout East Asia to re-evaluate Sarutahiko’s traits. In particular, the essay focuses on the function of the god through pursuing one of his names, Chimata-no-kami.

著者

中谷 伸生

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.13, pp.31-57, 2020-03-31

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The Portrait of Kimura Kenkado (owned by Osaka Prefectural Board of Education) was painted by TANI Buncho (1763-1841) in 1802. The grinning expression of KIMURA Kenkado (1736-1802) in the painting is unusual among East Asian portraits before the nineteenth century. The main questions addressed in this paper are : 1) the issue of the forgery of Kenkado's paintings, especially of his mid-career works, 2) the influence of ITO Jakuchu on the shifting style of Kenkado, and 3) the question of why Kenkado's later paintings adopted a more realistic mode of representation. Lastly, this paper will suggest the possibility that Kenkado's bereaved family specifically requested Buncho to paint the portrait of Kenkado with a smile. It is also argued that Buncho, as a close acquaintance and admirer of Kenkado, painted the portrait with a similar intent to his family.