著者

日並 彩乃

出版者

関西大学大学院東アジア文化研究科

雑誌

文化交渉 東アジア文化研究科院生論集 (ISSN:21874395)

巻号頁・発行日

vol.1, pp.91-122, 2013-01-31

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東アジアの言語と表象This work sets out the relationship between Yamato-e in early modern period and Fukko yamato-e.Late Edo period, the painters of a restoration Yamato-e(Fukko yamato-e 復古大和絵) learned directly the Yamato-e masterpieces of the Heian and Kamakura periods in order to revive the past Yamato-e. Fukko yamato-e artist has been considered to be a relation close to the political philosophy and social movement which was made to revitalize an emperor's(Tennou 天皇) power.However, the relation between Fukko yamato-e and reverence for the Emperor and expulsion of the barbarians is not deep in fact. Fukko Yamato-e was worked based on Yamato-e in early modern period. Fukko yamato-ecomposed in a perpendicularly long screen follows a precedent.In this paper, I hope to reveal a part of a Yamato-e in early modern period through consideration of Fukko Yamato-e composed in a perpendicularly long screen. Furthermore, I contemplate the influence from the China pictures, comparing it with a Chinese hanging scroll. And, I would like to clarify the transition and genealogy of Yamato-e in early modern period.