著者

二階堂 善弘

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.13, pp.325-336, 2020-03-31

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Wei Juxian believes Fengshen Yanyi was influenced by Shenxian Tongjian. I agree with this view. However, Shenxian Tongjian was published after Fengshen Yanyi. Many Studies think Fengshen Yanyi is not affected by Shenxian Tongjian. But in terms of content, Shenxian Tongjian has no influence from Fengshen Yanyi. But on the one hand, Shenxian Tongjian was influenced by Xiyouji. The legend of Jesus Christ and Muhammad is recorded in Shenxian Tongjian. But the author thinks that Jesus Christ is an immortal.

著者

田野村 忠温

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.13, pp.61-79, 2020-03-31

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The country name '独逸', which reads 'doitsu' and denotes Germany, is an exceptional instance among the large inventory of Kanji transliterated foreign names and terms in Japanese. It is partly because '独逸', unlike many of the other Kanji transliterated place names, was not borrowed from China, but created in Japan, and partly because dozens of different Kanji transliterations were attempted before '独逸' was finally selected as the standard. This article will analyze and clarify the background and process of the establishment of '独逸'. The exceptional nature of '独逸' will be argued to result from the historical social condition of Japan, which was under self-imposed national isolation since the seventeenth century, as well as from the peculiarity of Kanji transliterations in Japanese in general as compared with those in Chinese.

著者

二階堂 善弘

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.15, pp.251-263, 2022-03-31

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This report examines the origin of the immortals that appeared in Fengshen Yanyi. The authors of FengshenYanyi did not understand Taoist and Buddhist scriptures, so they compiled the book based on folk literary works such as popular novels and drama scripts. Immortals such as Taiyi Zhenren and Guangchengzi often appear in the drama.

著者

二階堂 善弘

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.16, pp.169-180, 2023-03-31

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The characters that appear in “Fengshen Yanyi” are either recorded in history books, or developed by later beliefs as gods and goddesses, or due to authorial creation. This thesis notes the emergence of Marshal Gods in “Fengshen Yanyi”. The origin of Marshal Gods is investigated, while other sources are investigated in relation to their appearance.

著者

陳 莉莉

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.14, pp.435-447, 2021-03-31

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The Kantei faith in China developed greatly during the Song-Yuan Dynasty, and the imperial court's posthumous rank became a "King" through the "Hou" and "public". The form of Guan Yu has been fixed with the development of literary works such as storytellings, ghost novels, Yuan Zaju operas, Yuanqu,and novels. Although the Yuan dynasty's Guan Yu paintings are slightly different in shape, the Danfeng eyes, Jujube face, and long beard is already established at this time. However, the statue of the Kantei, which is said to have been handed down from the Chinese Yuan Dynasty, is different from this one. The purpose of this paper is to, through the analysis of the Severnt God and those belongings, compare the shape of Kantei in Chinese Song-Yuan Dynasty, the depiction of storytelling in the works of literature and the statue of Kantei of the DaikoJi Temple, and to examine the image of the Kantei in the DaikoJi Temple, which is said to be the oldest in Japan.

著者

董 伊莎

出版者

関西大学大学院東アジア文化研究科

雑誌

文化交渉 東アジア文化研究科院生論集 (ISSN:21874395)

巻号頁・発行日

vol.6, pp.67-84, 2016-11-30

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東アジアの思想と構造The first Goryō-e ceremony (a ceremony held to appease evil gods and the spirits of the dead) was held during the Heian period in 863. Subsequent Goryō-e ceremonies underwent significant changes, eventually resulting in the spirit that was the focus of ritual appeasement in the original Goryō-e being replaced by a new spirit known as Ekijin. There has been much previous research looking at the origins of this change. This work looks at a possible link between the Chinese deity known as Karakami, mentioned in the Shunki, and the Japanese deity Ekijin. From this link it can be seen that Ekijin was originally a foreign deity. Also, after an examination of records from the Nara to Heian periods, it can be seen that the concept of plagues introduced during the Tenpyō period from foreign sources deeply influenced Japanese beliefs surrounding plague and the Goryō-e ceremony. The new beliefs imported from China share a common concept with that of the original Goryō-e ceremony, namely the idea of rei. This provided a basis for the acceptance of the new foreign beliefs, which eventually resulted in Ekijin becoming the main subject of appeasement. In conclusion, foreign ideas about plague influenced not only ideas about Ekijin, but were also assimilated into the Goryō-e belief system.

著者

二階堂 善弘

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.7, pp.217-228, 2014-03-31

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Well known as three eyed God Erlangshen 二郎神, but who had only two eyes in Ming dynasty. There are no portrait of threee yed Erlangshen in Fengshen Bang 封神榜 and Xiyouji 西遊記. Perhaps this effect from another three eyes of God Huaguang 華光. And briefing of the Erwangmiao 二王廟 in Dujiangyan Sichuan.

著者

池田 智恵

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.16, pp.3-17, 2023-03-31

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Lin Shuhua (林淑華) is best known as the author of "Shengsilian (生死恋)" (1948). It is an autobiographical work by Lin and was serialized in the magazine "Kangli Monthly" at the end of the 1940s and was quite popular at that time. This article considers the creative activity of Lin Shuhua in relation to the magazine "Kangli Monthly" and its readers. In "Kangli Monthly", Lin Shuhua first appeared as a contributor, then as the author of "Shengsilian", and then as the host of "Kangli Xinxiang (伉儷信箱)", a column of readers' contributions, in which she sincerely answered the serious problems of life of the readers. This mutual relationship with readers also influenced Lin's creative activities. In the "Shengsilian" and "Zhufu zhi you (主婦之友)" she uses for example a letter style and a "call to someone", which are common in "Kangli Monthly," and this gave them a structure that facilitated the sympathy of readers.

著者

孫 東芳

出版者

関西大学大学院東アジア文化研究科

雑誌

文化交渉 : Journal of the Graduate School of East Asian Cultures : 東アジア文化研究科院生論集 (ISSN:21874395)

巻号頁・発行日

vol.7, pp.217-232, 2017-11-30

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Shimoda Utako (1852-1936) and Tsuda Umeko (1864-1929) were pioneers and important representatives of Japanese women's education in the Meiji and Taisho eras. Both women were engaged in numerous educational activities, including writing and teaching. However both differed greatly in their styles. Shimoda Utako and Tsuda Umeko established 'Jissen Girls' School' (now Jissen Women's University) and 'Joshi Eigaku Juku' (now Tsuda University) respectively. Based on these two schools' educational principles and their process of establishment, this dissertation will compare the educational policies put forth by the Meiji government with the changes of thinking relating to social education, in order to investigate the relationship between women's education and the Meiji government. Namely, it will assess the degree of participation and the impact of the Meiji government on these two female educators' development and their educational causes. The relationship between these two female educators and the Meiji state shall also be analyzed. This dissertation will focus on the early period of the establishment of schools (the late 19th century), when female educators generally complied with the needs of the Meiji state.

著者

張 麗山

出版者

関西大学大学院東アジア文化研究科

雑誌

文化交渉 : Journal of the Graduate School of East Asian Cultures : 東アジア文化研究科院生論集 (ISSN:21874395)

巻号頁・発行日

vol.1, pp.191-208, 2013-01-31

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This paper examines the origin of belief in Tugong from Zhongliu(the god of earth) and the earth taboo. It also considers the relationship between Tugong and Taisui, which is regarded as the deity of the earth taboo in later ages. The belief in Zhongliu originated from an ancient belief in the earth, but it became an abstract concept under the influence of wuxing. On the other hand, the earth taboo can be traced back to the yueling (rules for farming), which were mystified by the ying-yang principle and wuxing. Also, the origin of belief in Tugong was closely related to the popularity of chenwei (mythical thought) and witchcraft. The original character of belief in Taisui was about direction rather than the earth taboo.

著者

中谷 伸生

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.13, pp.31-57, 2020-03-31

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The Portrait of Kimura Kenkado (owned by Osaka Prefectural Board of Education) was painted by TANI Buncho (1763-1841) in 1802. The grinning expression of KIMURA Kenkado (1736-1802) in the painting is unusual among East Asian portraits before the nineteenth century. The main questions addressed in this paper are : 1) the issue of the forgery of Kenkado's paintings, especially of his mid-career works, 2) the influence of ITO Jakuchu on the shifting style of Kenkado, and 3) the question of why Kenkado's later paintings adopted a more realistic mode of representation. Lastly, this paper will suggest the possibility that Kenkado's bereaved family specifically requested Buncho to paint the portrait of Kenkado with a smile. It is also argued that Buncho, as a close acquaintance and admirer of Kenkado, painted the portrait with a similar intent to his family.

著者

任 夢渓

出版者

関西大学大学院東アジア文化研究科

雑誌

文化交渉 : Journal of the Graduate School of East Asian Cultures : 東アジア文化研究科院生論集 (ISSN:21874395)

巻号頁・発行日

vol.4, pp.99-111, 2015-02-28

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When speaking of Confucian thought on women, words like “男尊女卑”(Manis superior to woman)and “三従四徳”(Three Obediences and Four Virtues)might be recalled immediately. They are regarded as the feudal dross thatoppressed Chinese women for three thousand years. For example, ChenDongyuan (1902-1978)once said that it was “男尊女卑” that made womenbecome the slaves and toys of men, and that was the product of Confucianism.However, such opinion was born in the context of social revolution, and usingthe modern concept to judge the values of old times is prejudiced, in myperspective. Therefore, this paper will discuss Confucian thought on womenwritten in the Book of Rites (『礼記』), which is considered to be the beginningof girls’ education, to learn the creed of Confucianism on teaching women at thatearly period.

著者

二階堂 善弘

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

no.14, pp.535-541, 2021-03

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内田慶市教授古稀記念号

著者

グエン テイ テゥエット ニュン

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.13, pp.277-288, 2020-03-31

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In Vietnam, many stories tell about the marriage of the snake and the human where the snakes appeared as grooms. These stories developed in various patterns, but most of them end with a happy ending where the snake and the human woman have a happy life. These marriages represent the Vietnamese dreams of an ideal marriage and their view of animals and nature. Snakes symbolize perfect marriage partners, and the marriage with snakes represents a dream of getting closer to nature so that the Vietnamese can live a better life. These stories also reflect the Vietnamese idea that bad people learn a lesson for themselves, contrary to the fact that good people can always have a good ending.

著者

岡部 美沙子

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

no.10, pp.279-297, 2017-03

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文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点松浦章教授古稀記念号[東アジアの言語と表象]"Hakutaku (Baize 白澤)" is a divine animal that appears in ancient Chinese mythology. In China, Hakutaku's icon has been expressed like "tiger's head and dragon's body" or "dragon's head and animal body". This icon spreaded from China to Korea. And it has been handed down. In contrast, Hakutaku icon is expressed like "human face and ox body" in both Japan and Ryukyu(琉球). Xian(西安) Huxian(戸県) 's Hakutaku statue show us two kinds of possibility. The one can provide the evidence for the ox body Hakutaku, which appears in China, the other can show the possibility Hakutaku and Kirin (Qilin 麒麟) that is made up a pair.

著者

馬 成芬

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.10, pp.573-592, 2017-03-31

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文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点松浦章教授古稀記念号[東アジアの歴史と動態]There were 151 kinds of Chinese calligraphy rubbings, totally 3797 volumes, being imported to Japan in Edo period. But all these rubbings could not be considered to be authentic works, and some of them couldn't be distinguished if they were authentic works or not. In that case, how about the condition of those counterfeited rubbings which were imported to Japan? In this paper, I will focus on these counterfeited rubbings of being imported to Japan, then explored the condition of it and the influence to the area of calligraphy of Japan.

著者

陳 莉莉

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

no.14, pp.435-447, 2021-03

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内田慶市教授古稀記念号

著者

二階堂 善弘

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.10, pp.423-429, 2017-03-31

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In 2016-2017, I stayed at Singapore, and researched many Chinese temples. Some temples worship Huaguang Dadi as Fujian and Guangdong God. But nowadays very few of temples worship Huaguang Dadi in Mainland China. In Singapore, I researched to fieldwork for Tiong Ghee Temple, Shuang Lin Cheng Huang Miao, Thomson Combined Temple, Sheng Hong Temple, and Leong San See Temple. They all have Huaguang's statues. And there is temple guardian god of Huaguang at Lian Shan Shuang Lin Monastery. It’s very rare case.

著者

董 伊莎

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.10, pp.749-762, 2017-03-31

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This work looks at a relation of ancient Japan's and China's ideas of ritual centering on rei. The etiquette that was inseparable from law should have been transmitted with Chinese legal codes, but the expression wasn't always limited to the legal codes text. Especially in the case of the ideas of ritual, It was considered that fixed change occurred due to the difference in the consept of ghost and god between the two countries. And after examinating of records about rei, it was found that there were rei of the spirit who brought an epidemic and rei of the ghost who had no heir in the ancient China. New development of beliefs to rei in the late of Han Dynasty and the Six Dynasty was a result that these two kinds of rei were connected under the condition of the deaths in hatred. That's the customs which worship the vindictive spirit who was a concrete person to a god. These customs can be considered to have an impact on Japan. In addition, This work also looked at the first Goryō ceremony and subsequent Goryō ceremony and pointed out that the origins of both were different, and speculated that the former possibly imitated Chinese ritual of rei for political purposes.

著者

田野村 忠温

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

no.11, pp.3-26, 2018-03

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文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点[東アジアの言語と表象]