著者
石田 智子
出版者
関西大学大学院東アジア文化研究科
雑誌
文化交渉 : Journal of the Graduate School of East Asian Cultures : 東アジア文化研究科院生論集 (ISSN:21874395)
巻号頁・発行日
vol.2, pp.47-59, 2013-12-01

東アジアの言語と表象This thesis focuses on the blank space in the paintings of Kano Tan'yu, especially "Illustrated Mirror of Chinese Emperors" from the paintings of the Nagoya Castle Jorakuden that are referred as good examples that has the characters of the Kano Tan'yu's style. The paintings of Kano Tan'yu have broad blank space. I argue that they were useful for painters when they produced many paintings and combine figures and scenes on paintings. Moreover, I insist that Tan'yu painted less motifs for his pupils tracing them easily.

言及状況

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"建築ラッシュの江戸初期、次から次へと注文される絵画の需要に応じるべく余白の多い画面が生産されていった、そのような一面もあったのではないだろうか" →これはなかなか身もふたもない意見。

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