著者

有田 亘 アリタ ワタル Arita Wataru

出版者

大阪国際大学

雑誌

国際研究論叢 = OIU journal of international studies : 大阪国際大学・大阪国際大学短期大学部紀要 (ISSN:09153586)

巻号頁・発行日

vol.29, no.3, pp.85-95, 2016-03

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Is Edward Said's concept of "contrapuntal reading" good enough in practice, but not in theory? In order to solve this problem, we consider the discussion of T.W. Adorno "Beethoven's Late Style" in Said's On Late Style. At the same time, we compare it with "On Fidelio" of "Cosi fan tutte at the Limits," also by Said. Because of this comparison, we consult the playing style of the pianists V. Afanassiev and I. Pogorelich. However, this paper is intended to use the idea of classical music for social epistemology. In order to lead us to understand this, we refer to Slavoj Žižek "Against the Populist Temptation : Ode to Joy and the Turkish March."