著者

猪瀬 あゆみ

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.11, pp.127-146, 2018-03-31

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文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点[東アジアの言語と表象]This study deals with the works of The Narrow Road to the Deep North by Yosa Buson (1716-1783) Three scrolls and one folding screen are extant. Buson completed these works based on the famous work by Matsuo Basho (1644-1694) The Narrow Road to the Deep North, during the late 18th century, when the revival movement of Basho's poetic style was flourishing. It can be surmised that these works were in demand, as several copies exist. In every case, Buson copied the entire The Narrow Road to the Deep North and painted several scenes between the handwritten poems. This research delineates how their style and formats changed, and how Buson painted Basho's expressions by comparing the paintings in each work. The paper also examines how Buson's depictions in his art reflected Basho's haikai. The paintings and haiku are subtly intertwined in a style called nioizuke (a Shofu-style technique) that Buson is generally thought to have established. This paper discusses the interaction in concrete terms and compares Buson's work with those related to The Narrow Road to the Deep North depicted by other artists. In the conclusion, the reasons Buson selected certain screens from Basho's work to illustrate, and how Buson's paintings resonate with Basho's haikai, are clarified.