- 著者
-
上田 智也
江南 和幸
藤原 学
- 出版者
- 公益社団法人 日本分析化学会
- 雑誌
- 分析化学 (ISSN:05251931)
- 巻号頁・発行日
- vol.69, no.9, pp.505-513, 2020
- 被引用文献数
-
1
<p>For the four paintings in the first volume of the Nara-ehon "Taketori Monogatari", made in the early Edo period (1661-1681), point and two-dimensional analyses were carried out with an X-ray analytical microscope at room temperature under atmospheric conditions. The fluorescent X-ray spectrum of the washi used confirmed the presence of small amounts of Si, P, S and K, and it was very similar to that of a Torinoko-gami that was quite expensive but common in Japan of the Edo era. By point analyses of the four paintings, various pigments, such as vermillion (HgS), minium (Pb<sub>3</sub>O<sub>4</sub>), marachite (Cu<sub>2</sub>CO<sub>3</sub>(OH)<sub>2</sub>), azurite (Cu<sub>3</sub>(CO<sub>3</sub>)<sub>2</sub>(OH)<sub>2</sub>), chalk (CaCO<sub>3</sub>), gold and silver, were found to be used. The point analyses were performed on the eight gray-blue areas in the four paintings. In all parts Co was detected together with Si, Fe and As. These results suggest that a cobalt ore with a high probability of smalt was selected for coloring gray-blue. There are three types of blue colorants in the fourth painting: azurite, indigo as a dye and the cobalt ore. It was confirmed that the production period of the Nara-ehon "Taketori Monogatari" was in the early Edo period consistent with its appraisal.</p>