2 0 0 0 OA 浮世絵師にみる絵手本利用の一考察―中国画譜を源流とする歌川派の作品を中心に―
- 著者
- 中山 創太
- 出版者
- 関西大学文化交渉学教育研究拠点(ICIS)
- 雑誌
- 東アジア文化交渉研究 = Journal of East Asian Cultural Interaction Studies (ISSN:18827748)
- 巻号頁・発行日
- vol.5, pp.389-405, 2012-02-01
In the mid-Edo period, the edehon produced by Tachibana Morikuni and Ōoka Shunboku were used in amateur painting education to research the technique of professionals. It is believed that the edehon provided professional illustrators with theopportunity to study the techniques used in conservative Kanō school tradition, classicalpainting, and Chinese painting, to which they would have had little access, andincorporate these techniques into their own works. This essay focuses on ukiyoe, a representative print art of Edo-period massculture, particularly the works of the Utagawa school of the late Edo period, in anattempt to present those pieces that suggest a reliance upon edehon. With this, it ispossible to suggest the diffusion of Kanō school painting techniques through edehon, and in particular, to discover the transmission through ukiyoe prints.
2 0 0 0 OA 浮世絵師にみる絵手本利用の一考察―中国画譜を源流とする歌川派の作品を中心に―
- 著者
- 中山 創太
- 出版者
- 関西大学文化交渉学教育研究拠点(ICIS)
- 雑誌
- 東アジア文化交渉研究 = Journal of East Asian Cultural Interaction Studies (ISSN:18827748)
- 巻号頁・発行日
- vol.5, pp.389-405, 2012-02-01
In the mid-Edo period, the edehon produced by Tachibana Morikuni and Ōoka Shunboku were used in amateur painting education to research the technique of professionals. It is believed that the edehon provided professional illustrators with the opportunity to study the techniques used in conservative Kanō school tradition, classical painting, and Chinese painting, to which they would have had little access, and incorporate these techniques into their own works. This essay focuses on ukiyoe, a representative print art of Edo-period mass culture, particularly the works of the Utagawa school of the late Edo period, in an attempt to present those pieces that suggest a reliance upon edehon. With this, it is possible to suggest the diffusion of Kanō school painting techniques through edehon, and in particular, to discover the transmission through ukiyoe prints.